In Leila, Bandula Chandraratna goes back to the closed desert kingdom where his tragic story of star-crossed lovers unfolded in Mirage. Despite Sayeed¿s desparate attempts to save her, his beautiful wife Latifa is dead. Sayeed is in debt, stricken with grief and guilt. The only star on his horizon now is the small child that Latifa left behind who, though not his own, Sayeed has come quickly to love. Leila has inherited her mother¿s beauty and something more - a burning anger at her mother¿s unjust fate and a desire to make her own way in the oppressive world she finds herself in.
Mirage emerged from 1999 Booker judging as the unexpected favourite of the chairman, Gerald Kaufman, just missing the final shortlist. It was a novel that could leave few readers unmoved. It also left a sense of an unfinished story. With the classic simplicity that made Mirage so unique, Bandula Chandraratna reignites a timeless tale of innocence and evil against a savage landscape.
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In stark and lucid prose, this tale dares to tackle huge moral themes in a compassionate and understated way. Arabic culture, so often misunderstood and misrepresented in the western media, is delineated in a style that is sensitive and honest, and often touchingly funny. Much comic mileage is gained from the characters' love of western car brands and their desire to own ever-more expensive and prestigious models. And yet, western and Islamic cultures are not seen as opposite poles on the spectrum; both are capable of harbouring good and evil, and violence and greed are inherent in both cultures. Sayeed's kingdom stands at a moral crossroads--trapped between the rampant avarice and moral disregard of capitalism and the implacable, unforgiving morality of Islamic fundamentalism. Faced with these two equally unholy extremes, Sayeed's final choice is all the more remarkable.
An Eye for an Eye's prequel, Mirage caught the attention of the 1999 Booker Prize judges for its ability to meditate on grand subjects such as love, loss and repression with an astonishing deftness of touch. This second novel shares this ability, and, although knowledge of the first novel is always an advantage, this simple tale of an ordinary man with a very extraordinary dilemma is compelling in its own right. --Jane Morris
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