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If I Don't Know is less dominated by both parody and humour, less subservient to the canon and is a stronger collection for it. The trademark skills are still here but a darker and warmer, more personal, more direct style is in evidence as is an abiding concern with love and loss. In "Dead Sheep Poem" a dead sheep ("the skull / and jawbone, clean as carved ivory") is contemplated, violated even, by the just-arrived "person with the notebook". In "Tulips" the pleasure of watching her flowers is overshadowed by the knowledge that they will soon die, "Every day I wonder how long they will be here ... I almost wish them / gone". And a more critical, political note is struck in "Sonnet of '68" and the tender, sad "After Prague": "Hope is a long leash, / drawn in slowly". The last, long narrative poem "The Teacher's Tale" is a moving account of Paul ("He teaches nowadays. / He isn't bad at it.") and his troubled early years, "He got off with a caution ... Vowed silently he'd never steal again". Wendy Cope is an eminently readable, intelligent and always sympathetic poet and this is another fine collection of her work. --Mark Thwaite
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