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Sudden emergencies and beautiful girls who aren't quite what they seem are the stock-in-trade of James Bond. And when 007 is on the case there's only one thing you can be sure of - the result will be thrilling. Whether he's dealing with the assassination of a Cuban thug in America, the destructionof an international heroin ring, or sudden death in the Seychelles, Bond gets the job done. In his own suave and unmistakable style ...
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For Your Eyes Only is five Bonds for the price of one, showing Fleming equally at home with the short story as he was over the long haul. Related themes appear across the collection--domestic abuse, just revenge--but these are stories for reading in their own right.
From a View to a Kill has Bond in Paris, outsmarting both the bad guys and the other European intelligence services to solve a murder mystery centred on stolen NATO documents. Cold-blooded murder aside, this is a gentle and engrossing story with some fine descriptive touches by Fleming.
In For Your Eyes Only itself, Bond is on an M-instigated revenge mission in the wilds of Canada and Vermont. Notable for its account of his enemy stalking and unexpected rendezvous with the beautiful Judy Havelock, For Your Eyes Only also portrays closely the relationship between Bond and M, whose inertia over the correct course of action Bond resolves: "It had come to the point where justice ought to be done ... But M was thinking, is this justice or is it revenge? M wanted someone else, Bond, to deliver judgement".
Quantum of Solace is a brief but diverting oddity in which Bond barely moves from his seat. The story is an after-dinner tale of human cruelty told by his host--probably prompted by his preconceptions of Bond's work--which elicits the response, "It's extraordinary how much people can hurt each other." After this interlude, Risico picks up the pace with a heroin smuggling, vendetta-inspired rollercoaster set against an Italian backdrop.
In the final story, The Hildebrand Rarity, Bond finds himself in deep water on a fishing expedition when emotional and physical violence lead to another "justified" murder which Bond covers up. Who committed the crime? Does it matter? This is Bond as agent of natural justice above and beyond institutional law. --Iain CampbellReview:
"Mr Fleming’s licensed assassin is in good form... Few men can have been able to mix business with pleasure so successfully as Bond" (Times Literary Supplement)
"Exotic, resilient and potent" (Kirkus)
"Urbane savagery and mighty smooth tale spinning" (New York Herald Tribune)
"Good juicy violence... the girls as wild and luscious as ever" (The Times)
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