Armadillo

William, Boyd

3.58

3,054 ratings by Goodreads

ISBN 10: 0140868801 ISBN 13: 9780140868807

Publisher: Penguin, 1999

One winter's morning Lorimer Black - young, good-looking, but with a somewhat troubled expression - goes to keep a perfectly rountine business appointment and finds a hanged man. A bad start to the day, by any standards, and an ominous portent. Sureenough, Lorimer's life is duly turned upside down and inside out in ways he could never have foreseen. 'As entertaining and thought-provoking as anything Boyd has ever written' - DAILY TELEGRAPH

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Review:

Lorimer Black may suffer from a serious sleep disorder and an obsession with the labyrinths of the British class system, but Armadillo's peculiar protagonist is the star insurance adjuster of London's Fortress Sure PLC, unkindly known as the Fort. At the very start of William Boyd's noir-ish seventh novel, however, things take a decided swerve for the worse. On a bleak January morning one of his cases has apparently chosen to kill himself rather than talk: "Mr. Dupree was simultaneously the first dead person he had encountered in his life, his first suicide and his first hanged man and Lorimer found this congruence of firsts deceptively troubling."

Soon our hero, who himself has a lot to hide, finds himself threatened by a dodgy type whose loss he has adjusted way down and embroiled with the beautiful married actress Flavia Malinverno. "People who've lost something, they call on you to adjust it, make the loss less hard to bear? As if their lives are broken in some way and they call on you to fix it," Flavia dippily wonders. Lorimer also has his car torched and instantly goes from an object of affection to one of deep suspicion at the Fort. Then there is another case, the small matter of the rock star who may or may not be faking the Devil he claims is sitting on his left shoulder.

Needless to say, Lorimer is "becoming fed up with this role of fall guy for other people's woes." Boyd adds a deep layer of psychological heft and a lighter level of humour to this thinking-person's thriller by exploring Lorimer's manifold personal and social fears. This is a man who desperately collects ancient helmets even though he knows they offer only "the illusion of protection."

Another of Armadillo's many pleasures: its dose of delicious argot. Should Lorimer "oil" the apparent perpetrator of the Fedora Palace arson before he's oiled himself? Or perhaps he just needs to "put the frighteners" on him. Boyd definitely puts the frighteners on his readers more than once in this cinematically seedy and dazzling literary display. --Kerry Fried, Amazon.com

Review:

'As entertaining and as thought-provoking as anything Boyd has ever written' Daily Telegraph 'Marvellously paced and ingeniously plotted. A real page-turner' - Andrew Motion, Observer 'Armadillo doesn't miss a trick. It has depth and resonance which will make you want to read it again... zinging readability' - Philip Hensher, Mail on Sunday 'A joy to read: east to get into, addictively plotted and beautifully written' - James Delingpole, Daily Mail 'As entertaining as anything he has written... brisk farce and dialogue that can be finger-licking good' - David Profumo, Spectator

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