A new selection of post-impressionist painter Vincent Van Gough's letters, The Letters of Vincent van Gogh put a human face on one of the most haunting figures in modern Western culture. In this Penguin Classics edition, the letters are selected and edited by Ronald de Leeuw, and translated by Arnold Pomerans in Penguin Classics.
Few artists' letters are as self-revelatory as Vincent van Gogh's, and this selection, spanning his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his attacks of mental illness and his relation with his brother Theo, the letters contradict the popular myth of van Gogh as an anti-social madman and a martyr to art, showing instead a man of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.
The letters are linked by explanatory biographical passages, revealing van Gogh's inner journey as well as the outer facts of his life. This edition also includes the drawings that originally illustrated the letters.
Vincent Willem van Gogh (1853-1890) was born in Holland. In 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later he began studying in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work. In 1888 he left Paris for the Provencal landscape at Arles, the subject of many of his best works, including Sunflowers.
If you enjoyed The Letters of Vincent van Gogh, you might also like 100 Artists Manifestos, available in Penguin Modern Classics.
'If there was ever any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent new edition dispels it'
The Times
"synopsis" may belong to another edition of this title.
That Vincent van Gogh was one of the greatest painters in the history of European art is now generally accepted. That he was a man of high intelligence and tender affections these letters abundantly establish. By their directness and humility they bring us an intimate understanding of genius. To anyone interested in painting or in the mind of a creative artist they are indispensable.
But what makes them of supreme importance is their fascination for people who have, in the ordinary way, no particular interest in the arts. It is the human spirit, not fame of the artist, that is the secret of their perennial attraction.
This selection by Professor Mark Roskill, who contributes an introduction and notes, also includes the memoir of van Gogh written by his sister-in-law.
The cover shows van Gogh's portrait of his friend the postman Roulin, 'a man who is neither embittered, nor sad, nor perfect, nor happy, nor always irreproachably right. But such a good soul and so wise and so full of feeling and so trustful.'
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