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In Wagner and Philosophy, Magee concerns his expertise with the ways in which philosophical ideas penetrated Wagner's work. The dominant philosophical figure in the book and in Wagner's life is Arthur Schopenhauer and it is the influence of Schoepenhauer's metaphysics on Wagner's world-view and ultimately his operas that constitutes the heart of the book.
There are two Wagners in our culture, unrecognisably different from one another, thinks Magee; there are "those who know his work and the Wagner imagined by those who know him by name and reputation". What Magee attempts to debunk is the common view of Wagner as a "sort of proto-Nazi", a man "jingoistically nationalistic", and "quintessentially right-wing". Wagner's disillusionment with revolutionary socialist politics is not to be explained as a movement from left to right but rather "from politics to metaphysics". To understand Wagner's "turn", his "re-evaluation of his values" one must understand the monumental influence Kantian--Schoepenhauerian philosophy had upon him. Similarly he debunks the assumption that Wagner was much influenced by Nietzsche and in a fascinating chapter detailing the eight-year intimate friendship between the two men, Magee affirms what researchers already know; that during that time Nietzsche was in thrall to Wagner--indeed, worshipped him.
What readers familiar with German philosophy but unfamiliar with Wagner and opera in general will find awesome is the sheer magnitude of Wagner's artistic genius and the role played by Schopenhauer in freeing up that artistic genius. The result is that one finds oneself running back to Schopenhauer once more before buying up Wagner CDs and looking out for the next performance. What Wagnerians unfamiliar with philosophy should find is an enhanced understanding of the ways in which Schopenhauer's ideas were absorbed into the texture of the operas themselves. However one need not be familiar with either Wagner or philosophy of any kind to enjoy this book because Magee writes about both with clarity and an infectious reverential enthusiasm. --Larry Brown
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Book Description Paperback. Condition: new. Paperback. Wagner's reputation as a paranoiac, egocentric and anti-semitic individual has coloured our perception of his artistic genius. Yet, as a young man, he embraces revolutionary politics, and of all the great composers he was by far the most interested in philosophy. Setting Wagner against the background of his times, Bryan Magee explores the philosophical influences which permeate his mature operas. He provides a candid examination of the composer's vicious anti-semitism and Hitler's deep admiration for his music. And he shows how Wagner's intense relationship with Nietzsche provides rich insights into his ideas and personality. The result is a compelling portrait which illuminates Wagner and his music in ways, uncovering the decisive, and often ignored, intellectual influences on Parsifal, Tristan and The Ring. Wagner was one of the few major composers who studied philosophy seriously. This title places the composer's artistic development in the context of the philosophy of his age, and offers a comprehensive study of the close links between Wagner and the philosophers - from the pre-Marxist socialists to Feuerbach and Schopenhauer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780140295191
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Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Wagner was one of the few major composers who studied philosophy seriously. This title places the composer's artistic development in the context of the philosophy of his age, and offers a comprehensive study of the close links between Wagner and the philosophers - from the pre-Marxist socialists to Feuerbach and Schopenhauer. Seller Inventory # B9780140295191
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Book Description Condition: New. 2001. Reprint. Paperback. Wagner was one of the few major composers who studied philosophy seriously. This title places the composer's artistic development in the context of the philosophy of his age, and offers a comprehensive study of the close links between Wagner and the philosophers - from the pre-Marxist socialists to Feuerbach and Schopenhauer. Num Pages: 432 pages, 8pp b&w illustrations, index. BIC Classification: AVH; HP. Category: (G) General (US: Trade). Dimension: 197 x 129 x 19. Weight in Grams: 302. . . . . . Seller Inventory # V9780140295191
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