Photography: A Cultural History - Softcover

Marien, Mary Warner

4.03

276 ratings by Goodreads

9780132219068: Photography: A Cultural History

Softcover

ISBN 10: 0132219069 ISBN 13: 9780132219068

Publisher: Pearson, 2006

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For one or two semester courses in the History of Photography.

Mary Warner Marien has constructed a richer and more kaleidoscopic account of the history of photography than has previously been available. Her comprehensive survey shows compellingly how photography has sharpened, if not altered forever, our perception of the world.

The book was written to introduce students to photography. It does not require that students possess any technical know-how and can be taught without referring to techniques in photography. Incorporating the latest research and international uses of photography, the text surveys the history of photography in such a way that students can gauge the medium's long-term multifold developments and see the historical and intellectual contexts in which photographers lived and worked. It also provides a unique focus on contemporary photo-based work and electronic media.

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Review:

With a decidedly socio-political slant, the book exposes the agendas behind photographers from Lewis Carroll to Richard Billingham.

From the Back Cover:

Mary Warner Marien's book is interesting and provocative, and provides a new perspective on the history of photography. Each of the eight chapters takes a timeframe of between fifteen and nearly forty years in which to examine the medium through the lenses of art, science, social science, travel, war, fashion, the mass media, and individual practitioners.

These broad topics work alongside a fully developed cultural context in which the emphasis is more on key ideas than individuals. So the reader will follow debates such as the nature of invention, the effect of mass media on morality, the use of imagery as a tool of Western colonialism, and the role of the photograph in advertising, radical politics, and family life. "Focus" boxes highlight interesting cultural or controversial issues, for example "Photography and Futurism" and "Lewis Carroll's Photographs of Children." The author also pays close attention to how contemporary practitioners, commentators, and beholders have talked about specific works, the nature of photography, and the photographer's changing role in society.

In addition to representing the established canon of Europe and the United States, the book benefits from two decades of new research into non-Western photography and yields rarely seen work from Latin America, Africa, India, Russia, China, and Japan. Great names from the world over are well represented: Ansel Adams, Henri Cartier- Bresson, Louis-Jacques-Mande Daguerre, Walker Evans, Roger Fenton, Hannah H�ch, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Peter Magubane, Don McCullin, Alexandr Rodchenko, Cindy Sherman, Raghubir Singh, William Henry Fox Talbot, Andy Warhol, and Edward Weston. Additionally, featured in more detail in "Portrait" boxes are photographers such as Margaret Bourke-White, Mathew Brady, Manuel Alvarez Bravo, Julia Margaret Cameron, Gertrude Kasebier, Jacob Riis, August Sander, Alfred Stieglitz, and Shomei Tomatsu.

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