Lucid, authoritative, written with verve by two respected American scholars, this generously illustrated work provides an introduction to more than 7,000 years of Chinese art—from the pottery-making and jade-carving cultures of the Neolithic Age to contemporary Chinese artists working in video,installation, and performance media.
By placing the arts in context—in active engagement with societies, economies, and wider fields of culture—the authors of this much-needed general survey introduce a dynamic and continually evolving tradition rather than a sequence of isolated museum masterpieces. Although the story of Chinese art unfolds chronologically, the authors introduce relevant themes for each era that will deepen the reader’s understanding of and appreciation for what they describe as arguably “the most abundantly productive, continuous artistic culture in the history of the world.”
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ROBERT L. THORP, professor of art history and archaeology at Washington University in St. Louis, specializes in the art and archaeology of early China.
RICHARD ELLIS VINOGRAD chairs the Department of Art and Art History at Stanford University. An expert on later Chinese painting, he is the recipient of numerous academic honors. He lives in Palo Alto, California.Excerpt. © Reprinted by permission. All rights reserved.:
Chinese Art & Culture is a refreshingly clear look at the oldest and most productive continuous artistic tradition on earth. From 7,000-year-old Neolithic pot-making and jade-carving cultures to contemporary artists' installation, video, and performance pieces, this engrossing survey embraces the richness and complexity of Chinese art and supports its teaching in the college classroom.
In all the right ways, this is a different kind of book on Chinese art. Departing from the predictable narration of dynasties and styles, author-scholars Robert L. Thorp and Richard Ellis Vinograd present art as a cultural expression of societal expectations, politics, material culture, belief systems, and wider fields of culture. They emphasize works of ancient art and architecture found in their original archaeological settings. Where that is not feasible, they reconstruct interconnections among individual pieces and with their contexts of production. To the broad cultural picture, they add considerations of the material of which an object is made and the distinctive techniques used to make it. Thus an early Ming vase is shown as the product of a new advance in firing technology that enabled control of copper red glazes and as a reflection—in its shape—of the lingering taste of the Early Ming emperors for things Tibetan.
Chinese art is one of the most active and mutable areas of cultural scholarship today. Thorp and Vinograd are leaders in a generation of scholars who are re-examining long-held conceptions about Chinese art—for example, the notion that Chinese art has essential and permanent characteristics and the idea that Chinese art and culture were untouched by outside influences. just as important, the authors give popular, religious, and craft arts their just due. Richly illustrated-some of the objects have almost never been pictured before-and enhanced with special-topic sidebars, this long-awaited book answers the needs of students and teachers of Chinese art for a work that is current in approach and scholarship and is at the same time reader-friendly.
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Book Description Prentice Hall, 2003. Hardcover. Book Condition: New. Bookseller Inventory # P110131833642
Book Description Prentice Hall, 2003. Hardcover. Book Condition: New. Bookseller Inventory # DADAX0131833642