Three of them are waiting. Rydal Keener is waiting for something exciting to happen in his grubby little Athens hotel. At forty-odd, Chester MacFarland has been waiting much longer, expecting his life of stock manipulation and fraud to catch up with him. And Colette, Chester’s wife, is waiting for something altogether different.
After a nasty little incident in the hotel, they all wait together. As the stakes and the tension in theirthree-cornered waiting game mount, they learn that while passports and silence can be bought, other things can cost as much as your life.
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Patricia Highsmith (1921-1995) was born in Fort Worth, Texas, and moved to New York when she was six, where she attended the Julia Richman High School and Barnard College. In her senior year she edited the college magazine, having decided at the age of sixteen to become a writer. Her first novel, Strangers on a Train, was made into a classic film by Alfred Hitchcock in 1951. The Talented Mr Ripley, published in 1955, introduced the fascinating anti-hero Tom Ripley, and was made into an Oscar-winning film in 1999 by Anthony Minghella. Graham Greene called Patricia Highsmith 'the poet of apprehension', saying that she 'created a world of her own - a world claustrophobic and irrational which we enter each time with a sense of personal danger' and The Times named her no.1 in their list of the greatest ever crime writers. Patricia Highsmith died in Locarno, Switzerland, in February 1995. Her last novel, Small g: A Summer Idyll, was published posthumously, the same year.Review:
Praise for Patricia Highsmith
"[Highsmith's] characters are irrational, and they leap to life in their very lack of reason. . . . Highsmith is the poet of apprehension rather than fear."—Graham Greene
"For some obscure reason, one of our greatest modernist writers, Patricia Highsmith, has been thought of in her own land as a writer of thrillers. She is both. She is certainly one of the most interesting writers of this dismal century."—Gore Vidal
"Miss Highsmith's genius is in presenting fantasy's paradox: successes are not what they seem. . . . Where in the traditional fairy tale the heroine turns the toad into a prince, in Miss Highsmith's fables the prince becomes a toad—success is nearly always fatal. . . . Combining the best features of the suspense genre with the best of existential fiction—a reflection—the stories are fabulous, in all the senses of that word."—Paul Theroux
"Patricia Highsmith's novels are peerlessly disturbing—bad dreams that keep us restless and thrashing for the rest of the night."—Terrence Rafferty, New Yorker
"Highsmith, who can change reality to nightmare with one well-turned phrase, is a legendary crime writer."—Cleveland Plain Dealer
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Book Description Arrow Books Ltd, 1985. Paperback. Book Condition: New. book. Bookseller Inventory # M0099448408