The Time of the Ghost (Beaver Books)

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9780099359500: The Time of the Ghost (Beaver Books)

There's been an accident!
Something's wrong!

She doesn't know who she is, and doesn't know why she's invisibly floating through the buildings and grounds of a half-remembered boarding school. Then, to her horror, she encounters the ancient evil that four peculiar sisters have unwittingly woken -- and learns she is their only hope against a deadly danger.

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About the Author:

Diana Wynne Jones was raised in the village of Thaxted, in Essex, England. She has been a compulsive storyteller for as long as she can remember enjoying most ardently those tales dealing with witches, hobgoblins, and the like. Ms. Jones lives in Bristol, England, with her husband, a professor of English at Bristol University. They have three sons and two granddaughters. In Her Own Words...

"I decided to be a writer at the age of eight, but I did not receive any encouragement in this ambition until thirty years later. I think this ambition was fired-or perhaps exacerbated is a better word-by early marginal contacts with the Great, when we were evacuated to the English Lakes during the war. The house we were in had belonged to Ruskin's secretary and had also been the home of the children in the books of Arthur Ransome. One day, finding I had no paper to draw on, I stole from the attic a stack of exquisite flower-drawings, almost certainly by Ruskin himself, and proceeded to rub them out. I was punished for this. Soon after, we children offended Arthur Ransome by making a noise on the shore beside his houseboat. He complained. So likewise did Beatrix Potter, who lived nearby. It struck me then that the Great were remarkably touchy and unpleasant (even if, in Ruskin's case, it was posthumous), and I thought I would like to be the same, without the unpleasantness.

"I started writing children's books when we moved to a village in Essex where there were almost no books. The main activities there were hand-weaving, hand-making pottery, and singing madrigals, for none of which I had either taste or talent. So, in intervals between trying to haunt the church and sitting on roofs hoping to learn to fly, I wrote enormous epic adventure stories which I read to my sisters instead of the real books we did not have. This writing was stopped, though, when it was decided I must be coached to go to University. A local philosopher was engaged to teach me Greek and philosophy in exchange for a dollhouse (my family never did things normally), and I eventually got a place at Oxford.

"At this stage, despite attending lectures by J. R. R. Tolkien and C. S. Lewis, I did not expect to be writing fantasy. But that was what I started to write when I was married and had children of my own. It was what they liked best. But small children do not allow you the use of your brain. They used to jump on my feet to stop me thinking. And I had not realized how much I needed to teach myself about writing. I took years to learn, and it was not until my youngest child began school that I was able to produce a book which a publisher did not send straight back.

"As soon as my books began to be published, they started coming true. Fantastic things that I thought I had made up keep happening to me. The most spectacular was Drowned Ammet. The first time I went on a boat after writing that book, an island grew up out of the sea and stranded us. This sort of thing, combined with the fact that I have a travel jinx, means that my life is never dull."

Diana Wynne Jones is the author of many highly praised books for young readers, as well as three plays for children and a novel for adults. She lives in Bristol, England, with her husband, a professor of English at Bristol University. They have three sons.

From Publishers Weekly:

Published in Great Britain in 1981 and available here for the first time, this gripping novel serves up often giddily hilarious fantasy that nonetheless deals unflinchingly with some ugly issues. At least twice in the course of the multi-layered narrative, the heroine has not the faintest idea who she is?a powerful metaphor for the novel's underlying theme of alienation from self. The story begins with the as-yet-nameless heroine floating?literally?through a boys' boarding school and its outlying grounds, a setting she finds oddly familiar. With a little spectral sleuthing (easy enough to accomplish when you're invisible) the disembodied spirit concludes that she is Sally Medford, one of a quartet of eccentric sisters who live at the school and are grossly neglected by their overworked schoolmaster parents. As the plot continues on its intriguingly convoluted path, evidence of time-travel begins to emerge: the college-age Sally is in a hospital, gravely injured after her abusive boyfriend throws her from a speeding car. Some part of her has journeyed back seven years into the past, where?with the help of her sisters and their schoolboy friends?she must undo a rash bargain with a powerful and ancient goddess. Given the violent boyfriend and the girls' ill-tempered father (prone to referring to his daughters as "bitches"), this tale is less overtly lighthearted than such Wynne Jones works as Howl's Moving Castle and Charmed Life but it is just as profoundly satisfying. Ages 10-up.
Copyright 1996 Reed Business Information, Inc.

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