Archaeologists have always insisted most strenuously that ancient lenses never existed and could not exist. Robert Temple's real-life detective story started when he investigated an ancient artefact in the British Museum, formally believed to be a piece of rock crystal, proved that it had been ground to form a lens. He then went on to discover artefacts from around the world, including Greece, Egypt and some excavated from the ruins of Troy which has been misidentified, in some cases merely as jewellery. Tying in these artefacts with references in overlooked or misinterpreted ancient texts, he began to realise that these lenses had in many cases been used as telescopes. Also, to the ancients the bringing down from heaven of light to form fire - another function of these lenses - was a great mystery - perhaps the greatest. They thought they were nearly touching God. The priests who guarded the secrets of the sacred technology encoded it in myths, such as the eye of Cyclops, the eye of Horus and Prometheus myth; here Robert Temple deconstructs these myths to reveal their true esoteric meaning for the first time. Finally, he shows that because the ancient had access to telescopes, they were able to construct monuments such as the pyramids and Stonehenge according to astronomical/astrological lines, which many people have long believed but which academics have always insiste
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Archaeologists have always insisted that ancient lenses never existed. Robert Temple's work began when he discovered an ancient artefact in the British Museum, believed to be rock crystal. He proved it had been ground to form a lens. This was the beginning of a real-life detective story.Review:
Lying unnoticed in many museums around the world are large numbers of ancient artefacts fashioned out of rock crystal or glass; lenticular in shape, they are habitually described by archaeologists and cataloguers as decorative in purpose; in short, as costume jewellery. To Robert Temple, however, who bolsters his classical and linguistic erudition with expertise in the field of optics, they are obviously and self-evidently lenses. As such, they form the starting point for The Crystal Sun, his wide-ranging and provocative investigation into the existence of an ancient science of optics. There is much to amaze here, not least the sheer volume of evidence that Temple is able to amass (and the seemingly even greater volume to which, for various tiresome reasons, he was unable to gain access). It is this density of proof, and the hardness of the science involved, that tend to dispel suspicions that we are entering Jesus-was-an-astronaut territory.
The narrative of Temple's discoveries is cast almost as an intellectual detective novel. (A characteristic recurring motif is his exasperation with the small-mindedness and intellectual prejudice endemic in the archaeological profession.) From the physical lenses we move to the scattered descriptions of lenses, telescopes and their use by the Greeks and Romans, the destructive use of burning-mirrors by Archimedes at the siege of Syracuse, and the true role of Prometheus, who brought fire to man from heaven. A review of ancient optical theory takes the argument deep into esoteric realms of Gnostic and alchemical thought. Stonehenge as astronomical instrument is discussed--including the startling proposal that the great circle was originally roofed with a dome. Inevitably, perhaps, the argument eventually makes its way to Egypt, real or imaginary home of all mysteries. Here, in the long final section of the book entitled "The Eye of Horus", Temple excels himself. The scale and precision of Egyptian monuments require sophisticated surveying techniques and a supporting mathematics. Temple finds these hidden in myths, partially disguised in tomb paintings embodied in the very structure of the buildings themselves. Above all, it seems, the Egyptians used light and shadow with great virtuosity. The Pyramids themselves, once clad in smooth, reflective white marble, and casting precise shadows across each other, are characterised as mystical surveying instruments on the hugest possible scale.
Temple is an engagingly garrulous and eccentric narrator, constantly interrupting himself, leaping forwards and back, starting hares he cannot pursue, pausing for personal paranormal reminiscences, but his passion and erudition are never in doubt. And is it true? Few readers can be in a position to decide. Reserve judgement, then, and enjoy an exhilarating intellectual adventure. --Robin Davidson
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Book Description Arrow, 2001. Mass Market Paperback. Book Condition: New. book. Bookseller Inventory # 99256797