Though little read today, at the turn of the century the works of George Meredith were ranked with those of Thomas Hardy. This biography contains plot summaries of 14 of his novels, and highlights his sympathy for women and his attacks on class.'
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Mervyn Jones has a mission. George Meredith was once hailed as the greatest of Victorian novelists and poets; now he is almost unheard of. This biography rolls up its sleeves and gets vigorously to work introducing Meredith to a new generation and constructing a defence of him as unjustly neglected.
So obscure have Meredith's novels become that Jones feels obliged to include a 40- page appendix of plot summaries of all of the novels. These read as clogged and weirdly twisted, partly (presumably) because of the awkward construction of summarising a 400-page novel in a page and a half, but also--undeniably--because Meredith's novels just are densely convoluted. Trollope described Meredith's intricate experiments in prose as writing "twisted into curl papers", and his myriad-charactered plots are similarly byzantine. Jones reprints an amiable Punch cartoon of Meredith as a bearded bull in a china shop ("Meredith Destroying Literary Form"), with the shattering vases and cups labelled "Grammar", "Construction" and so on. But a novelist who declares proudly that "narrative is nothing!" is going to have a hard job winning a wide audience.
Jones is just about able to convince us that Meredith deserves the "amazing" tag of this biography's title, but it's uphill work. He does a good job of linking events in Meredith's life to his writing, but doesn't make the connection that the constipation which "plagued him throughout his life" might have had its own influence on Meredith's writing. His most famous novel, The Ordeal of Richard Feverel was renamed by one anonymous critic: "The Ordeal of Reading Richard Feverel". There's a stolid difficulty to Meredith the writer that no amount of biographies labelling him "amazing"--even if written with the energy and brio Jones lavishes here--are ever going to be able to reverse. --Adam Roberts
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Book Description Hardback. Book Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Bookseller Inventory # GOR007801730
Book Description Constable, 1999. Hardcover. Book Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence!. Bookseller Inventory # mon0002252212
Book Description Constable, 1999., 1999. 1st UK edition. 8vo. 311pp. B/w. illustrations. Original boards, d/w. slightly rubbed to edges. ISBN 0094798001 US$12. Bookseller Inventory # 126932
Book Description Constable, 1999. Hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. hardback, 8vo, avery good tightly bound copy in a part faded pictorial dust wrapper that has residue to bottom corner of front panel following removal of a price sticker, 311pp. Bookseller Inventory # 204752
Book Description Constable, London, 1999. Hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. original cloth hardcover, illustrated, 311 pages, small name on flyleaf, otherwise very good in very good unclipped dustwrapper. Size: 8vo - over 7¾" - 9¾" tall. Bookseller Inventory # 80700
Book Description London: Constable, 1999. Hardcover. Book Condition: Near Fine. Dust Jacket Included. First edition. Nice copy in dustwrapper; with Dr Peter Dally's pencilled notes on rear endpaper. £15. Bookseller Inventory # 3M00082
Book Description Constable, 1999. Hardcover. Book Condition: Very Good. Very good. Bookseller Inventory # HH-133-10-7583007