Drawn partly from the scattered remnants of Diaghilev's Ballets Russes and partly from extraordinary new talent, Colonel W. de Basil's company of dancers kept alive the heritage of the Russian ballet for a period spanning virtually twenty years. De Basil's Ballets Russes, under various titles, and initially founded in association with René Blum, director of ballet at Monte Carlo, not only preserved the greatest of the Diaghilev ballets but mounted many new ones, among them major works by Balanchine, Fokine, Massine, Nijinska and Lichine -the company's one home-grown choreographer. It provided a brilliant showcase for great dancers such as Danilova, Woizikovsky and Massine, whose reputations were already made, and for many younger dancers including the remarkable 'baby ballerinas'. De Basil launched not only the original trio -Toumanova, Baronova and Riabouchinska - but a whole succession of teenage dancers of outstanding natural ability whose superb training had made of them finished artists of the highest quality well before their eighteenth birthdays. Among many other dancers whose careers were influenced by de Basil - a White Russian Cossack officer who emigrated to Paris in 1919 and whose gifts were entrepreneurial rather than artistic - were Tchernicheva, an ex-Diaghilev dancer whom he brought out of retirement to become a leading performer again in her maturity, and Kirsova, suddenly thrust into stardom by rapturous Australian audiences. The story of the de Basil ballet is one of glamour, mystery and the obsessive dedication without which no art form can achieve excellence. Its locations are many - Europe, the USA, Central and South America and Australasia were toured by the company, which appeared not only in the great capitals but in places where classical dance had rarely if ever been seen before. Travelling through the countryside, this multi-national troupe would climb out of their coach to hold class in a wayside field, using the wire fences as barres; and no matter what conditions they had to face backstage, on stage these dancers would create magic. Kathrine Sorley Walker's researches for this eminently readable book have taken her on a tour of duty hardly less exhausting than those of the de Basil company. The result is a riveting account of these little-documented years, by one of Britain's best dance historians and critics, that fills a conspicuous gap in the literature of the ballet.
"synopsis" may belong to another edition of this title.
Kathrine Sorley Walker is a British ballet critic and historian. She reviewed for many years for the London Daily Telegraph. Her books include Ninette de Valois: Idealist without Illusions, and Cyril W.Beaumont: Dance Writer and Publisher. She has contributed to the Dictionary of National Biography and Encyclopedia Britannica, as well as to journals such as Dance Chronicle (USA), The Dancing Times, Dance Now, Dance Expression and Dance International.
"About this title" may belong to another edition of this title.
Book Description Hutchinson, 1982. Hardcover. Book Condition: Good. De Basil's Ballets Russes This book is in good or better condition. It has no tears to the pages and no pages will be missing from the book. The spine of the book is still in great condition and the front cover is generally unmarked. It has signs of previous use but overall is in really nice, tight condition. Shipping is normally same day from our UK warehouse. We offer a money back guarantee if you are not satisfied. Bookseller Inventory # 9053-9780091475109
Book Description Hutchinson & Co (Publishers) Ltd, London, United Kingdom, 1982. Hardcover. Book Condition: Good. Dust Jacket Condition: Fair. Good, hardcover. Generally clean, bright and tight. Some marks and age tanning but otherwise in good condition. Light wear and tanning to dustjacket. Bookseller Inventory # 36417
Book Description Hutchinson 07/06/1982, 1982. Book Condition: used-good. - GREAT BOOK IN GOOD OR BETTER CONDITION, NORMALLY SENT SAME DAY FROM WAREHOUSE. Bookseller Inventory # 7719-9780091475109
Book Description Hutchinson 07/06/1982, 1982. Book Condition: Good. Will be shipped promptly from UK warehouse. Book is in good condition with no missing pages, no damage or soiling and tight spine. There may be some dog-eared pages showing previous use but overall a great book. Bookseller Inventory # 9053-9780091475109
Book Description Hutchinson, 1982. Book Condition: Very Good. 1st Ed. (U.K.). N/A. Great condition for a used book! Minimal wear. Bookseller Inventory # GRP74487191
Book Description Hutchinson, 1982. Book Condition: Good. 1st Ed. (U.K.). N/A. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP14948571
Book Description Hardback published by Hutchinson, 1982. In good condition with dustwrapper. Bookseller Inventory # 324105
Book Description 1982. London, Hutchinson, (1982). Cloth, paper sl. yellowed else fine in d/w, illust., pp. xvii, 317. ISBN 0 09 147510 4. Bookseller Inventory # 104219
Book Description Hutchinson, London, 1982. Pub's Boards. Book Condition: VG. Dust Jacket Condition: VG. First. 8vo. The author is a well-known authority on ballet. Bookseller Inventory # 24278
Book Description Hutchinson, 1982. Hardcover. Book Condition: Good. Good condition, some are ex-library and can have markings. Bookseller Inventory # GD-004-40-5756005