Set in rural New York state at the turn of the twentieth century, The Kept is the superb literary debut by James Scott --a propulsive novel reminiscent of the works of Michael Ondaatje, Cormac McCarthy, and Bonnie Jo Campbell, in which a mother and her young son embark on a quest to avenge a terrible and violent tragedy that has shattered their secluded family.
In the winter of 1897, a trio of killers descends upon an isolated farm in upstate New York. Midwife Elspeth Howell returns home to the carnage: her husband, and four of her children, murdered. Before she can discover her remaining son Caleb, alive and hiding in the kitchen pantry, another shot rings out over the snow-covered valley. Twelve-year-old Caleb must tend to his mother until she recovers enough for them to take to the frozen wilderness in search of the men responsible.
A scorching portrait of a merciless world--of guilt and lost innocence, atonement and retribution, resilience and sacrifice, pregnant obsession and primal adolescence--The Kept introduces an old-beyond-his-years protagonist as indelible and heartbreaking as Mattie Ross of True Grit or Jimmy Blevins of All the Pretty Horses, as well as a shape-shifting mother as enigmatic and mysterious as a character drawn by Russell Banks or Marilynne Robinson.
"synopsis" may belong to another edition of this title.
In the winter of 1897, midwife Elspeth Howell arrives at her isolated farmstead in upstate New York to discover an unthinkable crime. The only survivor is her twelve-year-old son, Caleb, who joins her in mourning the tragedy and planning its reprisal.
Their long journey leads them to a roughhewn lake town, defined by the violence of both its landscape and its inhabitants. There Caleb is forced into a brutal adulthood as he slowly discovers truths about his family he never suspected, and Elspeth must confront the terrible urges and unceasing temptations that have haunted her for years.
Throughout it all, the love between mother and son serves as the only shield against a merciless world.
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