Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater

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9780061228483: Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater

“Intrepid journalist and novelist William T. Vollman’s colossal body of work stands unsurpassed for its range, moral imperative, and artistry.”
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William T. Vollmann, the National Book Award–winning author of Europe Central, offers a charming, evocative, and piercing examination of the ancient Japanese tradition of Noh theatre and the keys it holds to our modern understanding of beauty.  Kissing the Mask is the first major book on Noh by an American writer since the 1916 publication the classic study Pisan Cantos and the Noh by Ezra Pound. But Kissing the Mask is pure Vollman—illustrated with photos by the author with provocative related side-discussions on femininity, transgender, kabuki, pornography, geishas, and more.

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From the Back Cover:

From the National Book Award-winning author of Europe Central comes a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty....

What is a woman? To what extent is femininity a performance? Writing with the extraordin-ary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look into the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself.

Sweeping readers from the dressing room of one of Japan's most famous Noh actors to a transvestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of attraction and loss as Mishima, Kawabata and even Andrew Wyeth. From old Norse poetry to Greek cult statues, from Japan's most elite geisha dancers to American makeup artists, from Serbia to India, Vollmann works to extract the secrets of staged femininity and the mystery of perceived and expressed beauty, including explorations of gender at a transgendered community in Los Angeles and with Kabuki female impersonators.

Kissing the Mask is illustrated with many evocative sketches and photographs by the author.

About the Author:

William T. Vollmann is the author of seven novels, three collections of stories, and a seven-volume critique of violence, Rising Up and Rising Down. He is also the author of Poor People, a worldwide examination of poverty through the eyes of the impoverished themselves; Riding Toward Everywhere, an examination of the train-hopping hobo lifestyle; and Imperial, a panoramic look at one of the poorest areas in America. He has won the PEN Center USA West Award for Fiction, a Shiva Naipaul Memorial Prize and a Whiting Writers' Award. His journalism and fiction have been published in The New Yorker, Esquire, Spin and Granta. Vollmann lives in Sacramento, California.

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Book Description Ecco Press, United States, 2010. Hardback. Book Condition: New. Language: English . Brand New Book. From the National Book Award-winning author of Europe Central comes a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty. What is a woman? To what extent is femininity a performance? Writing with the extraordin-ary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look into the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself. Sweeping readers from the dressing room of one of Japan s most famous Noh actors to a transvestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of attraction and loss as Mishima, Kawabata and even Andrew Wyeth. From old Norse poetry to Greek cult statues, from Japan s most elite geisha dancers to American makeup artists, from Serbia to India, Vollmann works to extract the secrets of staged femininity and the mystery of perceived and expressed beauty, including explorations of gender at a transgendered community in Los Angeles and with Kabuki female impersonators. Kissing the Mask is illustrated with many evocative sketches and photographs by the author. Bookseller Inventory # POW9780061228483

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Book Description Ecco Press, United States, 2010. Hardback. Book Condition: New. Language: English . Brand New Book. From the National Book Award-winning author of Europe Central comes a charming, evocative and piercing examination of an ancient Japanese tradition and the keys it holds to our modern understanding of beauty. What is a woman? To what extent is femininity a performance? Writing with the extraordin-ary awareness and endless curiosity that have defined his entire oeuvre, William T. Vollmann takes an in-depth look into the Japanese craft of Noh theater, using the medium as a prism to reveal the conception of beauty itself. Sweeping readers from the dressing room of one of Japan s most famous Noh actors to a transvestite bar in the red-light district of Kabukicho, Kissing the Mask explores the enigma surrounding Noh theater and the traditions that have made it intrinsic to Japanese culture for centuries. Vollmann then widens his scope to encompass such modern artists of attraction and loss as Mishima, Kawabata and even Andrew Wyeth. From old Norse poetry to Greek cult statues, from Japan s most elite geisha dancers to American makeup artists, from Serbia to India, Vollmann works to extract the secrets of staged femininity and the mystery of perceived and expressed beauty, including explorations of gender at a transgendered community in Los Angeles and with Kabuki female impersonators. Kissing the Mask is illustrated with many evocative sketches and photographs by the author. Bookseller Inventory # POW9780061228483

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