In his first three novels, Bill Fitzhugh created new strains of homicidal insects, sliced open the illegal transplant business, and sinfully skewered the Church and Madison Avenue with the same spear. Now he turns his attention to the hitmaking machinery of Music City, U.S.A.
Depending on your point of view, Fender Benders is either a skewed look at the country music industry or a clear-eyed view of a damn screwy business. It's a Grand Old Opera complete with murder, treachery, greed, drugs, twangy music, a love triangle, and the best fried swimps you'll ever put in your mouth.
First off, some folks down South have taken to dropping like flies. One minute they have a headache, the next they have a date at the funeral home. Seems some lunatic is tampering with boxes of headache powder, lacing them with sodium fluoroacetate. It's a nasty death, but at least it's quick, and it makes you forget you had a headache.
Second off, Eddie Long wants to move to Nashville and become a country music star, but right now he's stuck in Hinchcliff, Mississippi. Eddie's big break comes with a contract to tour the Mississippi casino circuit. While he's on the road, his wife dies, the victim of an apparent serial killer. The emotional turmoil of his wife's death causes Eddie to write the best song of his life. He takes it to Nashville, hooks up with a hoary management company, and launches his career.
Meanwhile, Jimmy Rogers is a freelance writer covering the Mississippi music scene. He loves writing and a girl named Megan. Jimmy decides early on that he is going to write Eddie's biography. But as he's researching Eddie's wife's murder, Jimmy comes to a surprising conclusion. He can't prove it, but publishing it might make his own career.
Megan is a smart, talented, and popular radio personality in a tiny market. But she wants a faster way to Easy Street. So she turns to Eddie. In Nashville.
Before it's all over, everybody's planning to make a killing one way or another -- including the kind that has nothing to do with money. But, as frequently happens on Music Row, things don't always turn out as planned.
Rip-roaring with the author's trademark blend of withering insight, divine absurdity, and an outrageous cast of players, Fender Benders is a hilarious, action-packed, no-punches-pulled look at the music makers and fakers who would do literally anything for a hit record. Here is the irrepressible Bill Fitzhugh at his wildest and funniest. Betcha dolla!
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Bill Fitzhugh has worked in radio, television, and film. He is the author of Pest Control, The Organ Grinders, and Cross Dressing. He lives in Los Angeles, California, where he is at work on his next novel.From Publishers Weekly:
Fitzhugh (Cross Dressing; Pest Control) moves into Clyde Edgerton and Barry Hannah territory and acquits himself with aplomb in this witty romp through the country music industry. Aspiring country music star Eddie Long has served a hard apprenticeship in honky-tonks across the South, and just as he gets a promising gig in a Mississippi casino, his young wife dies under mysterious circumstances. The cause is actually food poisoning, but before the police get there her lover tries to make it look like a suicide, while her father tries to pass it off as murder. In his grief, Eddie writes a magnificent country song, "It Wasn't Supposed to End That Way," that tops the charts and makes him a superstar. He involuntarily becomes embroiled in the seamy side of the music business, associating with rapacious agents, producers, DJs and a carnivorous groupie, Megan, who avariciously eyes Eddie's millions while plying him with drugs. A would-be biographer named Jimmy Rogers, who is also the jealous, discarded boyfriend of the greedy groupie, takes the advice of an unscrupulous literary agent and writes an unauthorized biography, which hints that Eddie had something to do with his wife's death and might even be a serial killer. The action and punch lines come at a furious pace, and Fitzhugh tosses in references to Nashville and Bob Roberts, two of the best country music movies. All in all, this is sharp, sassy, read-in-one-sitting, laugh-out-loud literature. (Dec. 1)Forecast: Movie rights for Pest Control and Cross Dressing have been sold to Warner Bros. and Universal Pictures respectively. If a movie ever results, Fitzhugh's stock will instantly rise, but even if it doesn't, he should collect a few more readers with each hilarious outing.
Copyright 2001 Cahners Business Information, Inc.
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