You Can't Go Home Again

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9780060809867: You Can't Go Home Again

This classic of American literature tells the story of George Webber, a rising novelist, who returns to his hometown only to face a wave of hatred and rejection from the inhabitants, who feel his latest work ridicules their way of life. George goes into exile, first in New York, then London and continental Europe, living life to the full but burdened by the belief that he can never return to his roots. This work, although published posthumously and heavily edited from Wolfe's surviving manuscripts, has done much to confirm his place as one of the leading American novelists of the 20th Century. This handsome new edition from Benediction Classics includes the full unabridged text of the published version. Visit Benediction Classics at www.thebestthathasbeensaid.com to read thousands of free classic books online, or buy them in elegant paperback and hardback editions at reasonable prices.

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Product Description:

You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940, extracted by his editor, Edward Aswell, from the contents of his vast unpublished manuscript The October Fair. The novel tells the story of George Webber, a fledgling author, who writes a book that makes frequent references to his home town of Libya Hill. The book is a national success but the residents of the town, unhappy with what they view as Webber's distorted depiction of them, send the author menacing letters and death threats. Wolfe, as in many of his other novels, explores the changing American society of the 1920s/30s, including the stock market crash, the illusion of prosperity, and the unfair passing of time which prevents Webber ever being able to return "home again".

Review:

"If there still lingers any doubt as to Wolfe's right to a place among the immortals of American letters, this work should dispel it."

-- Cleveland News

"If there still lingers any doubt as to Wolfe's right to a place among the immortals of American letters, this work should dispel it."-- "Cleveland News""Wolfe wrote as one inspired. No one of his generations has his command of lanuage, his passion, his energy."-- "The New Yorker"""You Can't Go Home Again" will stand apart from everything else that he wrote because this is the book of a man who had come to terms with himself, who was on his way to mastery of his art, who had something porfoundly important to say."-- "New York Times Book Review"

""You Can't Go Home Again" will stand apart from everthing else that [Wolfe] wrote because this is the book of a man who had come to terms with himself, who was on his wa to mastery of his art, who had something profoundly important to say." -"New York Times Book Review"

In 1949, when I was sixteen, I stumbled on Thomas Wolfe, who died at thirty-eight in 1938, and who made numerous adolescents aside from me devotees of literature for life. In Wolfe, everything was heroically outsized, whether it was the voracious appetite for experience of Eugene Gant, the hero of his first two novels, or of George Webber, the hero of his last two. The hero's loneliness, his egocentrism, his sprawling consciousness gave rise to a tone of elegiac lyricism that was endlessly sustained by the raw yearning for an epic existence for an epic"American "existence. And, in those postwar years, what imaginative young reader didn't yearn for that?
--Philip Roth"

Wolfe wrote as one inspired. No one in his generation had his command of language, his passion, his energy. --Clifton Fadiman, "The New Yorker""

"You Can t Go Home Again" will stand apart from everthing else that [Wolfe] wrote because this is the book of a man who had come to terms with himself, who was on his wa to mastery of his art, who had something profoundly important to say. "New York Times Book Review""

"In 1949, when I was sixteen, I stumbled on Thomas Wolfe, who died at thirty-eight in 1938, and who made numerous adolescents aside from me devotees of literature for life. In Wolfe, everything was heroically outsized, whether it was the voracious appetite for experience of Eugene Gant, the hero of his first two novels, or of George Webber, the hero of his last two. The hero's loneliness, his egocentrism, his sprawling consciousness gave rise to a tone of elegiac lyricism that was endlessly sustained by the raw yearning for an epic existence--for an epic American existence. And, in those postwar years, what imaginative young reader didn't yearn for that?"
--Philip Roth

"Wolfe wrote as one inspired. No one in his generation had his command of language, his passion, his energy." --Clifton Fadiman, The New Yorker

"You Can't Go Home Again will stand apart from everthing else that [Wolfe] wrote because this is the book of a man who had come to terms with himself, who was on his wa to mastery of his art, who had something profoundly important to say." -New York Times Book Review

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