What does it mean to be fully present in a human life? How -- in the face of the carnage of war, the no longer merely threatened destruction of the natural world, the faceless threat of spiritual oversimplification and reactive fear -- does one retain one's capacity to be both present and responsive? And to what extent does our capacity to be present, to be fully ourselves, depend on our relationship to an other and our understanding of and engagement with otherness itself? With what forces does the sheer act of apprehending make us complicit? What powers lord over us and what do we, as a species, and as souls, lord over?
These are among the questions Jorie Graham, in her most personal and urgent collection to date, undertakes to explore, often from a vantage point geographically, as well as historically, other. Many of the poems take place along the coastline known as Omaha Beach in Normandy, and move between visions of that beach during the Allied invasion of Europe (whose code name was Operation Overlord) and that landscape of beaches, fields, and hedgerows as it is known to the speaker today. In every sense the work meditates on our new world, ghosted by, and threatened by, competing descriptions of the past, the future, and what it means to be, as individuals, and as a people, "free."
"synopsis" may belong to another edition of this title.
Jorie Graham is the author of twelve collections of poems. Her poetry, widely translated, has been the recipient of numerous awards, among them the Pulitzer Prize, the Forward Prize (UK), and the International Nonino Prize. She lives in Massachusetts and teaches at Harvard UniversityFrom Publishers Weekly:
The title for Graham's best book in at least a decade introduces several obsessions at once: it's the code name for American plans on D-Day, a sign for the absence - or perhaps presence - of an omnipotent God, and a term for arrogant nations (the U.S. among them) who have forgotten, or never learned, the lessons of the Greatest Generation. Graham, who won the 1996 Pulitzer Prize for The Dream of the Unified Field, pursues familiar metaphysical questions through the long lines and longer sentences of meditations such as "Upon Emergence": "Have I that to which to devote my/ self? Have I devotion?"; a series of poems with the title "Praying" take the question to its ends, often ending up angry, guilty or shocked. One anecdotal poem depicts her trying and failing to feed a homeless man; a more abstract effort imagines "a horrible labyrinth, this/ history of ours. No/ opening." Most striking of all are works closely tied to D-Day, to Normandy (where Graham now spends part of each year) and to servicemen's own testimony, which casts contemporary fears into ironic relief: "Are you at war or at peace," Graham asks, "or are war and peace/ playing their little game over your dead body?" The vague, notebook-like qualities of Graham's last few efforts baffled some admirers, who will likely, and rightly, see these clear and powerful poems as a return to form. (Mar. 2)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
"About this title" may belong to another edition of this title.
Book Description Ecco, 2005. Hardcover. Book Condition: New. book. Bookseller Inventory # 0060745657
Book Description Ecco, 2005. Hardcover. Book Condition: New. Bookseller Inventory # DADAX0060745657
Book Description Book Condition: Brand New. Book Condition: Brand New. Bookseller Inventory # 97800607456531.0
Book Description Ecco. Hardcover. Book Condition: New. 0060745657 New Condition. Bookseller Inventory # NEW6.0016026