Commander Sam Vimes of the Ankh-Morpork City Watch had it all.
But now he's back in his own rough, tough past without even the clothes he was standing up in when the lightning struck...
Living in the past is hard. Dying in the past is incredibly easy. But he must survive, because he has a job to do. He must track down a murderer, teach his younger self how to be a good copper and change the outcome of a bloody rebellion.
There's a problem:if he wins, he's got no wife, no child, no future...
A Discworld Tale of One City, with a full chorus of street urchins, ladies of negotiable affection, rebels, secret policemen and other children of the revolution.
Truth! Justice! Freedom! And a Hard-boiled Egg!
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The new Discworld novel Night Watch has the power and energy that characterizes Terry Pratchett at his occasional best, as well as the wild surreal humour he always gives us. Sam Vimes, running hero of the Guards sequence, finds himself cast back in time to the Ankh-Morpork of his youth--a much nastier city, with an actively deranged Patrician and a sadistic secret police--and finding himself filling in for Keel, the tough honest copper who teaches the young Vimes everything he knows. And, more worryingly, who dies heroically in the insurrection Vimes knows to be imminent. With a psychopath from his own time rising in the vile ranks of the Cable Street Unmentionables complicating things, Vimes has to ensure that history takes its course so that he will have the right future to go back to, and to keep his younger self alive--this is Pratchett's plotting at its most thoroughly constructed and wonderfully devious. Ankh-Morpork has for a long time been one of the most thoroughly imagined cities in fantasy--here Pratchett gives us a fascinating gloomy glimpse of its past and of the younger selves of some of his best-loved characters, and of the brief-lived People's Republic of Treacle-Mine Road. --Roz KaveneyReview:
'His spectacular inventiveness makes the Discworld series one of the perennial joys of modern fiction.' -- Mail on Sunday
'Like Jonathan Swift ... he is a satirist of enormous talent ... incredibly funny ... compulsively readable.' -- The Times
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