Scotty Moore listened carefully to the shy young Elvis sing and immediately realized that this teenager had something special. Along with bass player Bill Black, the trio went into Sun Studios and recorded an old blues number called "That’s Alright, Mama." Its success launched a whirlwind of touring, radio appearances, and Elvis’ first break into movies. Scotty was there every step of the way and tells the story of how Elvis transformed popular music.
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That's Alright, Elvis recounts the life of Scotty Moore, one of the early men behind the legendary Elvis Presley. Moore was already an accomplished musician (Rolling Stone Keith Richards says that Moore's music inspired him to play rock-and-roll) when, at the behest of Sun Records executive Sam Phillips, he took young Presley under his wing. It didn't take long for Moore's seasoned ear to discern the young singer's talent, one that would soon explode into the rock sound. Moore's relationship with Elvis deepened through the years as he managed Presley's career and played in his band, the Blue Moon Boys. But as Elvis's popularity skyrocketed, Moore's managerial role was usurped, and the professional relationship between the two ultimately soured over money and miscommunication. Moore continued his musical career and is now considered the quintessential rock guitarist by many in the industry. He maintains an admirable objectivity about his life with Elvis as he tells his story through writer James Dickerson. That's Alright, Elvis is a fresh take on a seminal period in both Elvis's life and in the history of rock-and-roll.
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Book Description Schirmer Trade Books, 1998. Paperback. Book Condition: New. Bookseller Inventory # P110028650301
Book Description Schirmer Trade Books. PAPERBACK. Book Condition: New. 0028650301 New Condition. Bookseller Inventory # NEW6.0006960