A stunning novel set in the Tudor court, as the rivalry between Queen Mary and her half-sister Elizabeth is played out against a background of betrayal, conflict and passion.
The savage rivalry of the daughters of Henry VIII, Mary Tudor and Elizabeth, mirrors that of their mothers, Katherine of Aragon and Anne Boleyn. Each will fight by any available means for the crown and future of the kingdom.
Elizabeth’s bitter struggle to claim the throne she believes is hers by right, and the man she desires almost more than her crown, is watched by her ‘fool’: a girl who has been forced to leave her homeland of Spain, as a Jew fleeing the Inquisition. In a court where truth is wittily denied and lies are mere games, it is the fool who can speak plainly: in these dangerous times, a woman must choose between ambition and love. Elizabeth will not make the same mistakes as her mother.
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Mary and Elizabeth, the two young princesses, have a common goal: to be Queen of England. To achieve this, they need both to win the love of the people and learn how to negotiate dangerous political pitfalls. Gregory recreates this era with tremendous colour, and she makes the court an enticing but danger-fraught place. Into this setting comes the eponymous fool, the youthful Hannah, who (despite her air of guileless religiousness) is not naive. She soon finds herself having to deal with the beguiling but treacherous Robert Dudley. Dispatched to report on Princess Mary, Hannah discovers in her a passionate religious conviction (to return England to the rule of Rome and its pope) that will have fatal consequences.
From Tolstoy's War and Peace onwards, historical novelists have set fictitious characters among real-life personages with mixed success; the author's creations can often pale beside the historical figures. That is emphatically not the case here, and Gregory ensures that all her characters have a full and teeming life. Expect a major movie: something as colourful and exuberant as The Queen's Fool is a natural for screen adaptation. --Barry Forshaw
Praise for Philppa Gregory:
‘Gregory's research is impeccable which makes her imaginative fiction all the more convincing.’ Daily Mail
‘Gregory is great at conjuring a Tudor film-set of gorgeous gowns and golden-lattered dining. She invokes some swoonsome images...while the politics are personal enough to remain pertinent.’ DailyTelegraph
‘Subtle and exciting.’ Daily Express
‘Written from instinct, not out of calculation, and it shows.’
Peter Ackroyd, The Times
‘For sheer pace and percussive drama it will take a lot of beating.’ Sunday Times
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