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Dean, Debra The Madonnas of Leningrad ISBN 13: 9780007215065

The Madonnas of Leningrad - Softcover

 
9780007215065: The Madonnas of Leningrad
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[ { By Dean, Debra ( Author ) THE MADONNAS OF LENINGRAD Feb-20-2007 Paperback } ]

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Review:

‘An unforgettable story of love, survival and the power of imagination in the most tragic circumstances. Elegant and poetic, the rare kind of book that you want to keep but you have to share.’ Isabel Allende

‘A luminescent debut... “The Madonnas of Leningrad” recalls Jonathan Franzen's “The Corrections” and deserves similar success. This is a novel that dares to be beautiful and fully succeeds.’ Daily Mail

‘The real achievement of Dean's novel lies beyond descriptions of Alzheimer's, sensitive and elegantly done though they are...[Dean] has brought the siege of Leningrad to dramatic, desperate life...this breathtaking novel shows that epiphanies can take place anywhere.’ Guardian

‘A taut and boldly unsentimental tale, Dean's glistening debut plumbs the twin mysteries of memory and the imagination.’ Observer

‘An extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime...Dean’s exquisite prose shimmers with a haunting glow, illuminating us to the notion that art itself is perhaps our most necessary nourishment.’ Chang-Rae Lee, New York Times Bestselling author of ‘Aloft’

From the Author:
About the Book
A Public Broadcasting Service Series, A Grandmother with
Alzheimer's--Chance Inspiration

In 1995, I watched a Public Broadcasting Service series on the Hermitage
Museum in Saint Petersburg. My journal entry for the next day read in part:
"I was particularly struck by one incident which might make a story (even a
novel, but for the research)." During the first winter that the Nazis lay
siege to Leningrad, the Hermitage staff and their families--nearly 2000
people--lived in the basement of the museum itself. In the first days of
the war, they had packed up and evacuated all the art--1.1 million
objects--but they had left the empty frames hanging on the walls of the
museum as a token of their pledge that the art would return. A story was
related that one of the staff, a former guide now living in the cellar,
began to give tours of the empty museum to visitors. It was said that he
described the paintings so well that the visitors could almost see them.

This image gripped me. Still, I was a short-story writer and even my short
stories tended toward the brevity of poems, so the prospect of writing
something the size of a novel terrified me. Let alone a novel set in a
country that I had never visited [...] and during a tumultuous period about
which I knew next to nothing. Throw in a foreign language and some art
history on top of that, and I dismissed the notion as far exceeding any
reasonable hubris. I tried writing it as a short story, but this world was
too expansive to be contained in the short form. I set it aside. Every once
in a while, I would return wistfully and rework it a little, adding a few
pages or moving pieces around.

Meanwhile, my grandmother was diagnosed with Alzheimer's. A woman who had
resolutely focused forward throughout her life, she began in her dotage to
drift back to her youth. She told stories that I had never heard before,
some of them beginning quite plausibly and then segueing suspiciously into
magical realism. (A nice topaz pendant that a great niece had admired
spiraled in value and became a rare heirloom that strangers sometimes
dropped by and paid money to see.) I started writing about her, but quickly
she metamorphosed into a fictional character, a Russian woman who had
survived the siege. Before I knew it, there we were again, back in the
museum during the war.

The Madonnas of Leningrad was researched and written over several summers
between teaching. During most of that time, I and my husband, a poet, lived
in a sweet little apartment[.] with a sweeping view of the city and the
lake but with not quite enough room for an office. So we set up shop in the
windowless laundry room that we shared with the neighbors, our desk wedged
between the garbage cans and the hot water furnace--not so different from
the cellars of the Hermitage during the war perhaps, but decidedly warmer
with the dryer humming. He worked in the mornings and I took the
afternoons. The novel was written slowly, circuitously, and without
expectations. Eat breakfast, go for a long walk, write another page or two,
make dinner, watch a movie. Repeat.

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  • PublisherHarper Perennial
  • Publication date2007
  • ISBN 10 0007215061
  • ISBN 13 9780007215065
  • BindingPaperback
  • Number of pages264
  • Rating

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