A special hardback edition of JRR Tolkien’s masterpiece of epic fantasy, in a presentation box with the full-colour Map of Beleriand, some Silmarillion postcards, plus an exclusive free CD of Christopher Tolkien reading the Beren and Luthien story from the book.
The Silmarillion is an account of the Elder Days, of the First Age of Tolkien’s world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor.
Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings.
"synopsis" may belong to another edition of this title.
The Silmarillion is a gloriously realised story of rebellion, exile, war and the heroism of elves and men. But to gain an insight into the staggering complexity of Tolkien's world, however, the shorter works also included are must-reads. Dealing with the myth of creation, the nature of the Gods, the fall of Númenor and the Rings of Power, they paint a vivid picture not only of Middle Earth but also of the author's soaring imagination.
Tolkien was born of English parents in Bloemfontein, South Africa, in 1892 and died in England in 1973. He worked on The Silmarillion from as early as 1917 but the work was not published until after his death. This edition, richly illustrated by Ted Nasmith, is both collector's item and source of reference and fascination for every follower of Tolkien. --James Barclay
‘How, given little over half a century of work, did one man become the creative equivalent of a people?’
The Guardian
‘Demanding to be compared with English mythologies... at times rises to the greatness of true myth’
Financial Times
‘A creation of singular beauty... magnificent in its best moments’
Washington Post
‘A grim, tragic, brooding and beautiful book, shot through with heroism and hope... its power is almost that of mysticism’
Toronto Globe & Mail
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