This text is part of a series of selected Shakepeare texts designed for student use. The introduction provides criticsim, covering themes, characters and dramatic structure, and helpful notes are provided at the right level on every page, facing the text.
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"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. -- Jerry BrottonReview:
'The introduction and commentary reveal an author with a lively awareness of the importance of perceiving the play as a theatrical document, one which comes to life, which is completed only in performance …' The Review of English Studies
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Book Description Collins Educational, 1972. Hardcover. Book Condition: Used; Good. Bookseller Inventory # 1928386
Book Description Paperback. Book Condition: Good. Some marks to cover, pages clean, no notes or highlighting; good overall. Book. Bookseller Inventory # 444-422
Book Description Paperback. Book Condition: Fair. Bookseller Inventory # PL01491329B
Book Description Collins, London and Glasgow, 1972. Hardcover. Book Condition: Good. No Jacket. 12mo - over 6¾ - 7¾" tall. First this edition from 1972. Grey/ white laminated boards with colour illustration vignette to front board. Ex library with a few usual marks and labels. Includes: prefatory note; the theatre in Shakespeare's day; introduction to the play; characters, text and notes; summing up; further reading; illustration. Ink marks to a page or two but text is unaffected. Binding is tight. Spine leans/ rolls slightly. Spine strip and back board are colour faded and soiled/ discoloured. #186.32. Bookseller Inventory # 006492
Book Description HarperCollins Canada / Education. Hardcover. Book Condition: Good. Light shelving wear with minimal damage to cover and bindings. Pages show minor use. Bookseller Inventory # G0003252515I3N00
Book Description Collins, 1972. 1st thus. Collins Annotated Shakespeare. Edited by M Etherington. 238 pages. Over 7 x 4 inches. Edges tanned. Sound and tight. Very good Alexander Shakespeare. Bookseller Inventory # 25515
Book Description Collins Educational, 1972. Hardcover. Book Condition: Good. Satisfaction 100% guaranteed. Bookseller Inventory # mon0001338699