Winner of the 1990 Cuidad de Barcelona Prize, this story traces an affair that develops between a visiting Spanish lecturer at Oxford and a beautiful tutor. While the lecturer wishes to keep the affair secret, the tutor is intent on strewing evidence everywhere, even in front of her husband.
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Javier Marias was born in Madrid in 1951. He is the author of sixteen works in Spanish, which have been translated into forty-two languages including English. His translated English works are All Souls, A Heart So White, Tomorrow in the Battle Think on Me, When I Was Mortal, Dark Back of Time, The Man of Feeling, Voyage Along the Horizon, Written Lives, the Your Face Tomorrow trilogy (Fever and Spear, Dance and Dream, and Poison, Shadow and Farewell), Bad Nature, While the Women Are Sleeping and The Infatuations. Javier Marias has received numerous literary prizes including the International IMPAC Dublin Literary Award and the Prix Formentor, and he is the King of Redonda. He lives and works as a translator and columnist in Madrid. His most recent novel is Thus Bad Begins.From Kirkus Reviews:
The first US appearance of an accomplished and elegant novel, first published in Spain in 1990, by the author of A Heart So White (p. 18) and other highly praised fiction. Set in Oxford, and drenched in the ambience of academic myopia and departmental power politics, it recounts in polished Jamesian prose the two-year lectureship enjoyed and endured there by its narrator, a visiting Spanish scholar. He encounters an alluring married woman tutor whose affair with him piques her conscience rather less than it does his. She, in fact, can't even be bothered to keep silent about their intimacy. Other complications are provided by a richly observed bevy of colleagues who exhibit most of the commoner academic and British eccentricities (notable among them are an economist who will discourse at length about his obsession with an 18th-century cider tax, and a professor of literature who moonlights as a successful author of ``horror blockbusters''). There's little plot beyond the (unnamed) narrator's romantic intriguing, but it's a rare civilized pleasure to overhear his incisive analyses of cultural, temperamental, and sexual differences between Britons and Iberians, or to follow his peregrinations through the meaner streets of Oxford (whose beggars elicit a feeling of kinship in this deracinated wanderer) or several antiquarian bookstores, ever in search of the odd and engaging. The novel is as much a record of life at Oxford as it is a narrative. Its characters, though vividly drawn, are really little more than functional, especially as measured against Mar¡as's only real character creation here: his thoughtful protagonist, whose confusions and insights alike more often than not sparkle with the brilliance of aphorism (``In Oxford the only thing anyone is truly interested in is money, followed some way behind by information, which can always be useful as a means of acquiring money'')--translated with deadpan clarity and precision by the ever-dependable Costa. Another stunning work from one of Europe's best younger writers. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
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Book Description The Harvill Press, 1992. Book Condition: Fair. Former Library book. Shows definite wear, and perhaps considerable marking on inside. Bookseller Inventory # GRP84541500