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Book Description Paperback. Condition: Good. Seller Inventory # 2303754
Book Description Soft cover. Condition: Very Good. 1st Edition. Black stiff paper wraps with white dust jacket all in very good condition. Edition of 1900. Interview with Thomas Lawson in which Wright talks about working directly "on the wall". Profusely illustrated with "wall paintings". Texts by Mark Hamilton, and Richard Wright and Thomas Lawson in conversation. Nice book. Pages are un numbered about 96 pages. Seller Inventory # 6939
Book Description Paperback. Condition: Fine. Dust Jacket Condition: Fine. Large Octavo, 120 pages, colour illustrated. A Fine copy in a Fine dust jacket. Seller Inventory # 092115
Book Description Soft cover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Paperback in dust jacket. Seller Inventory # 60893
Book Description Softcover with dustjacket, unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # RiWrLo40
Book Description First edition. Softcover. Text by Mark Hamilton and with a conversation between Thomas Lawson and Wright. Includes numerous color illustrations. A fine copy in a very near fine dust jacket. Seller Inventory # 145882
Book Description Condition: Sehr gut. 96 Seiten Sehr gutes Exemplar. / Very good copy. - Most contemporary artists flirt with the idea of difficulty, with the idea that the reception of art should be a well-earned reward after some struggle. But in making fugitive wall paintings, labour intensive riffs on found insignia that will be wiped out in a few weeks, Richard Wright foregrounds the whole issue of value. What makes art important? What is it for? What does it mean, especially if it will be gone so soon? The central importance with which Wright invests this issue of transience, this improvisatory nonchalance, marks him as an artist deeply resistant to the concept and culture of the museum. He wants his art to be alive, and a part of life. He does not want it to become part of a back catalogue of hallowed, and therefore 'beautiful' objects to be revered but not touched. Instead, he delights in the more generous idea that making art is more akin to playing music, or having a conversation; that it is a series of beginnings, not the perfected presentation of closure. It thus seems appropriate to allow the artist to intro- duce the work himself, in talk. The following interview was conducted in Edinburgh in early December 1999." (Thomas Lawson and Richard Wright) ISBN 9781899377114 Sprache: Englisch Gewicht in Gramm: 7200 Broschur; Orig.-Schutzumschlag. Seller Inventory # 1234798
Book Description HARDCOVER. Condition: VERY GOOD. 2000. Locus+. Limited 1900. Softback. Book- VG. Dj- VG. 10.5x7.5. Profuse colour plates. A magnificently illustrated catalogue accompanying an exhibition of the work of Richard Wright (b. 1960). It includes architectural spaces decorated with intricately designed patterns in paint and gold leaf. Seller Inventory # 1691508
Book Description Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first printing. Soft cover. Printed wrappers; with photographically illustrated dust jacket. Paintings by Richard Wright. Essay by Mark Hamilton. Conversation with the artist by Thomas Lawson. Unpaginated (124 pp.), with four-color plates throughout. 10-1/2 x 7-1/2 inches. This first edition was limited to 1900 unnumbered copies. Published on the occasion of an exhibition at Locus +, which traveled to other venues. Fine in Fine dust jacket. Seller Inventory # 109565