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Church’s life was marked by tragic events and disappointments. Immured in the Department of Botany at Oxford, which was then in the Botanic Garden, he was, in the late nineteenth and early twentieth centuries, the most knowledgeable yet least travelled botanist in Britain. An academic recluse, he took solace from the analysis of the structure of plants, particularly their flowers, which he considered machines for ensuring successful sexual reproduction. His clinical attitude belies the freshness and boldness of the spectacular illustrations, which Church considered mere by-products of his science.
In this, the first full account of the artist, described by House and Garden as "lush and sensual ... gorgeous", David Mabberley discusses Church’s remarkable output in the context of his scientific work and of the biological science of his era. Most of the drawings in this volume remained unpublished while Church was alive and are published here for the first time; they demonstrate the modernity of his technique and style, which sometimes recall the work of Georgia O’Keeffe.
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