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There's a picture that comes to my mind when I think of the shtetl (a Jewish village or town in Eastern Europe), though it's not directly connected with it. When my maternal grandmother remarried, we had a party at our house to celebrate. I remember my mother and her best friend, Marisha, spontaneously dancing with a handkerchief held between them. People were singing and clapping while they danced and I have never seen my mother more beautiful as when she danced with her friend. In that moment I saw a wordless and kinetic bond of friendship, in fact of intimacy and joy, between women. My mother's friend Marisha died of breast cancer the summer I turned sixteen. It is in honour of her that I invented the story about Misha's name: a nickname for "Marisha," the Polish name for Miriam.
The shtetl is a place both real and mythical. It is a dream, now; it no longer exists. But it has a history, & it was important to me to be accurate. I read about a hundred books in researching The River Midnight, looked at a number of collections of photographs, watched Yiddish films that pre-dated the war. The best sources were memoirs, essays and fiction written between 1881 and 1905.I discovered the shtetl to be a place where people had hopes and love and crime and talent and idiocy just as we do, now, while at the same time it had a particular character: rich, complex, interesting.
I was fascinated by the discovery of women's prayers, called tekhinas. Women prayed in Yiddish from books and pamphlets, some written by men, many by women. Their prayers expressed their daily concerns. New prayers were written all the time to keep up with changes in women's lives. For example, there's a prayer for a husband who has to travel for business, perhaps peddling. The woman prays that he won't gamble or take up with other women.
My family wasn't terribly observant when I was growing up, but we celebrated all the Jewish holidays, and our home was permeated by stories, songs, and customs that expressed both a Jewish and universal experience. On Passover my father used to say that everyone has been a slave in some kind of "Egypt". He himself had literally been a slave in a concentration camp and had been liberated. So I knew that what happened to people in "history" is also happening now: past and present and future all coming together.
Magic expresses the mythical quality of the shtetl, and it reflects the magical world view that comes out of the mix of superstition and spirituality. But in the end, I believe, human action is what matters. The mystery of life is something beyond magic. What could be more wondrous than ordinary human decency?
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Book Description Paperback. Condition: new. Paperback. In her stunning debut novel, Lilian Nattel brilliantly brings to life the richness of shtetl culture through the story of an imagined village: Blaszka, Poland. Myth meets history and characters come to life through the stories of women's lives and prayers, their secrets, and the intimate details of everyday life. When they were young, four friends were known as the vilda bayas, the wild creatures. But their adult lives have taken them in different directions, and they've grown apart. One woman, Misha, is now the local midwife. In a world where strict rules govern most activities, Misha, an unmarried, independent spirit becomes the wayward heart of Blaszka and the keeper of town secrets. But when Misha becomes pregnant and refuses to divulge the identity of her baby's father, hers becomes the biggest secret of all, and the village must decide how they will react to Misha's scandalous ways. Nattel's magical novel explores the tension between men and women, and celebrates the wordless and kinetic bond of friendship The author turns her own family history into the story of five women, Polish Jews living in a ghetto outside Warsaw before the cataclysm of World War II. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780684853048
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