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Hardcover. Condition: Good.
Condition: Good. Hardcover Good DUST JACKET BIT TORN Offered by the UK Charity Langdon Foundation supporting young adults with disabilities.
Published by Silvana Editoriale, Milano,, 1963
Seller: FIRENZELIBRI SRL, Reggello, FI, Italy
applicate. leg.ed.cartonata. Condition: BUONO. deuxième édition revue. cm.28x36, pp.33, con figg.bn.nt.e 45 tavv.per lo più a col. Coll.La Bibliothèque des Arts. Milano, Silvana Editoriale cm.28x36, pp.33, con figg.bn.nt.e 45 tavv.per lo più a col. applicate. leg.ed.cartonata. Coll.La Bibliothèque des Arts.
Condition: Buone. italiano Condizioni dell'esterno: manca sovracopertina - leggermente logorata Condizioni dell'interno: Leggere tracce d'umidita'.
La Bibliothèque des Arts - 1963 - Deuxième édition revue - In-folio, cartonnage rouge, dans son emboitage - 33 pages + 51 reproductions dont 28 en couleurs Bon état - Menus frottements sur les plats et le dos - Coins et coiffes très légèrement frottés - Sans jaquette - Frottements sur l'emboitage.
Published by Harry N. Abrams, New York, NY, 1964
Seller: Black Cat Hill Books, Oregon City, OR, U.S.A.
First Edition
Hardcover. First Edition [1964], unstated, in accordance with Abram's customary practice. Very Good in Very Good DJ: Both book and DJ show indications of moderate use. Book shows light wear to the extremities, with a bump at the bottom edge of the front panel at the hinge, which has broken the fabric at the hinge; else some finger smudges to the front endpapers; faint toning to the text pages; the bindingis secure; the text is clean. Free of ownership notations, inscriptions, marks, or labels. The DJ shows mild rubbing and very faint soiling; a short, closed tear at the bottom of the front hinge; and a somewhat bunged area around it; light wear to extremities; unclipped; mylar-protected. Overall, remains a structurally sound, tightly bound copy, with a single, serious flaw, but showing only mild wear. in a handsome, lightly used DJ. Large Folio. (11 x .75 x 14.25 inches). 93 pages. Fifty-nine illustrations, thirty-four of which are full-color, tipped in plates. Two tipped in letters by the author. Hardback with DJ. First Edition [1964], unstated, in accordance with Abram's customary practice.
Hard. Condition: Very Good Plus. Dust Jacket Condition: Very Good. 1st. First edition. Hard cover in dust jacket. Published NY: Abrams, 1964. Folio, 11" x 14 1/4", 93pp., 59 illustrations, 34 in color. Very good plus in very good dust jacket. Size: Folio.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. A Very Good copy of the First Edition with slight spotting in a Very Good jacket.
reliure cartonnée. 51 reproductions dont 28 en couleurs, in-4 ~120 coiffes affaiblies, bon état, usage.
Published by Harry Abrams, New York, 1964
Seller: BC BOOKS, APOLLO BEACH, FL, U.S.A.
Book
Hardcover. Condition: Fine Condition. Dust Jacket Condition: Very Good Dust Jacket. //NO REMAINDER MARK//NO PREVIOUS OWNER MARKS OF ANY KIND (no names or inscriptions, no bookplate, no underlining, etc) //NEW MYLAR COVER//text is in english Size: Folio - over 12 - 15" tall.
Published by Silvana, 1963
Seller: Miliardi di Parole, Pietra Marazzi, AL, Italy
Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, strappi Condizioni dell'interno: Discrete con Difetti, bruniture.
Published by Silvana Editoriale d'Arte,, Milano,, 1963
Seller: Il Muro di Tessa sas Studio bibl. di M., Milano, MI, Italy
In 4° gr., cop. edit. con sovrac. ill. e custodia, pp. 33,(3), prevalentemente ill. con 28 tavv. a col. applicate e 23 tavv. b/n n.t.; riparazione con nastro adesivo all'int. della sovrac., per il resto copia molto buona. (x201).
Published by SILVANA EDITORIALE D'ARTE, MILANO, 1963
Seller: Stampe Antiche e Libri d'Arte BOTTIGELLA, VIGEVANO, PV, Italy
Vol. in -folio (28,3 x 36 cm.), legatura editoriale cartonata col. cotto, sopracopertina illustr. a colori, testo in italiano, pp. 33, (2), 51 tav. f.testo a p.pagina di cui 28 a colori, (2). Leggeri segni d'uso alla sopracopertina, per il resto in buone condizioni.
Published by Silvana Editoriale d'Arte, Milano, 1963
Seller: Studio Bibliografico Malombra, Vicenza, VI, Italy
33 pp., 45 tavv. a colori applicate f.t. e ill. in nero n.t.; 36 cm. Cart. edit. con sovrac. tracce d'uso e uno strappo alla sovraccoperta.
Published by Paris & Lausanne: La Bibliothèque Des Arts, [1963]., 1963
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Signed
Hardcover. Dust Jacket Included. folio. pp. 33, [59]. 51 illus. (28 tipped-in colour). biblio. bds. (2 institutional bookplates). dw. (two short tears to back, small label on lower spine). signed by both Castaing & Leymarie. Signed by Author(s).
Published by Abrams Internationally know Artists Series, Printed and Bound in Milan, Italy, by Stabilimento d'Arti Grafiche Amilcare Pizzi, Italy., 1964
Seller: Hayden & Fandetta Rare Books ABAA/ILAB, Horseshoe Bay, TX, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: As New. SoutIne (Chaim) (illustrator). 1st Edition. (Chaim ) SOUTINE Born (1893 ) - in Smilovichi, near Minsk, Lithuania. Dies (1943) - in Paris. Page. 93 contains: A complete list of Exhibitions 1927 to 1963 A Biographical Sketch His Bibliography - Listing The Dust jacket and interior of the book are in near-fine condition; Dust Jacket Condition: New Fine 1st. First edition. Hardcover in dust jacket. Distributed by: Abrams, NYC 1964. FOLIO, 14 1/4" Tall, 11 wide, 3/4 in. thick 94pp., 59 illustrations, 34 in color plates tipped in on paper due to age (60 years) very slightly toned. Printed and Bound in Milan, Italy, by Stabilimento d'Arti Grafiche Amilcare Pizzi, Italy. Notes taken from the introduction by Marcellin Castaing Soutine was an Expressionist artist that lived and worked in Paris at the height of the modern era. A painting is a creation; the painter's emotions and imagination together give him the power to bring life to all he sees. From that moment on he has abolished time. Without life everything must perish and be lost. he does away with space, too, and consequently eliminates the conception of progress in our and, with it, the hierarchy of major works. By its humanity, Titian's portrait of Charles the Fifth reaches out to me the Man with Pipe, one of Van Gogh's self- portrait. Schools fade away and are replaced by individuals. What is left of the Impressionist school, one of the most widely represented? Men like Monet, Sisley, or Pissarro? What would Divisionism be without Seurat, or Cubism without Picasso? As for theories, they must be studied for their own sake, then left aside. They have given rise to a disorderly, contradictory literature in which painting is regulated to a place of secondary importance; they disappear of their own accord when faced with the ultimate mystery of the work itself.