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WHEN THE NINES ROLL OVER and Other Stories (Signed & Dated + photo)

Benioff, David

Published by NY: Viking Press, New York, New York, U.S.A., 2004
ISBN 10: 0670033391 / ISBN 13: 9780670033393
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About the Book

Bibliographic Details

Title: WHEN THE NINES ROLL OVER and Other Stories (...

Publisher: NY: Viking Press, New York, New York, U.S.A.

Publication Date: 2004

Binding: Hardcover

Book Condition: New

Dust Jacket Condition: New

Signed: Signed by Author(s)

Edition: 1st Edition


First edition, first printing, hardback, unread in AS NEW (Very-Fine/Very-Fine) condition (no marks/flaws; dustjacket comes in a protective mylar cover). This copy was SIGNED & DATED '9/14/04' by DAVID BENIOFF on the title page (not inscribed to anyone). Also included is a GLOSSY PHOTO of the author at the signing event. Bookseller Inventory # 704

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Synopsis: David Benioff burst onto the literary scene with The 25th Hour, a debut praised by Janet Maslin of The New York Times for its "pungent, funny urban tableau full of shrewd operators and unfulfilled desires."

Now, with When the Nines Roll Over, Benioff uses humor and rich characterizations to explore the sometimes thrilling, sometimes pathetic state of the American urban male. Over the course of eight stories, some with an appealing touch of the surreal, we are introduced to a faded football star, soldiers in a Russian winter, a punk rocker, and other young men on the cusp of discovery and loss. As he evokes the various states of agony and pleasure—humiliation, rebellion, camaraderie, and desire— Benioff displays a profound understanding of the contemporary male psyche. With its knowing, often amusing stories, When the Nines Roll Over confirms the promise of a gifted writer emerging as a storytelling force.

From the Back Cover: "Following his debut novel, The 25th Hour (the basis for Spike Lee's underseen and underrated 2002 film), this mostly fantastic collection kick-starts with the masterful title story, in which a music exec cherry-picks a sexy punk singer for stardom against the wishes of her drummer boyfriend. 'The Devil Comes to Orekhovo,' about a trio of Russian soldiers on night patrol in Chechnya, may be the best Hemingway story that Hemingway never wrote. And the wistful 'Barefoot Girl in Clover' an ex-jock's reminiscences about a romance he now realizes was the love of his life--could even teach the Greeks (if not Pitt) something about tragedy. A-" - Entertainment Weekly

"Eight deliciously accessible stories follow the author's first novel (The 25th Hour, 2001) and his screenplay for Troy. All of these will hook you fast, and they'll keep you hooked, with the possible exception of "De Composition," a run-of-the-mill post-apocalyptic sketch. One story, "The Devil Comes to Orekovo," is thrillingly good. An 18-year-old soldier, Leksi, is on patrol with two hardened veterans. They order him to kill a defenseless old woman suspected of funding terrorists, though Leksi has never killed anybody. The soldiers are Russian and the woman is Chechen, but this study of war's brutal choices transcends time and place; the denouement has the satisfying inevitability of a work of art. Not quite in that league, but impressive nonetheless, is the title story, where Tabachnik, a talent scout for a major West Coast label, has his eyes on a singer with a punk-rock band playing New York. Moving cautiously, he detaches her from a poorly written contract and from her boyfriend, SadJoe, who stages a futile protest on the Los Angeles sidewalks. In the battle between blue-collar solidarity and really big bucks, old loyalties don't stand a chance. Show-biz opportunity comes knocking again in the slighter but well-crafted "Garden of No" as actress/waitress June gets her big break and, hating herself, flees from boyfriend Sam, the short-order cook. Benioff further demonstrates his range in "Barefoot Girl in Clover" (a former high school football star who goes searching for the lost love of his youth gets whipsawed by the past), "Merde for Luck" (two gay men struggle to stave off AIDS), and the barbed whimsy of "Zoanthropy," in which lions roam Manhattan and a humble museum guard claimshe's The Lover of the East Coast. The big city nurtures tall tales, a point made again in "Neversink," in which a young woman lures suitors by inventing a father who was, supposedly, a ferocious ex-biker and pal of Sinatra's. Technical accomplishment that's matched by a generosity of spirit. -Kirkus Reviews

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