Title: The Black Atlantic: Modernity and Double ...
Binding: Soft cover
Book Condition: New
1993. Paperback. . . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780860916758
Synopsis: This text sketches a critical account of the location of black intellectuals in the modern world following the end of racial slavery. The book explores the reactions of black writers to modernity's colour-coded promises, demonstrating the value of a politicized post-modernism in re-reading black cultural politics and political culture. The lives and writings of key African Americans such as Martin Delany, W.E.B. Dubois, Frederick Douglas and Richard Wright are examined in the light of their experiences outside the US in Europe and Africa. Gilroy provides an extensive discussion of black vernacular cultures, especially music. Moving beyond debates about modernity that confine it to Europe, "Promised Lands" views the black Atlantic as a transnational alternative to black political theory based, often by default, on conceptions of the nation imported from European letters. The black Atlantic is a hetero-cultural formation in which routes count for as much as roots and travelling and displacement are more usual than permanent fixity. This text should be of interest to students and teachers of English Cultural Studies and African and American Studies, as Gilroy presents a thorough indictment of their institutionalized ethnocentrism and inability to see beyond the structures of cultural nationalism and the borders of the nation state.
Product Description: "Whilst others scarcely put a toe in the water, in The Black Atlantic Gilroy goes in deep and returns with riches." Guardian Afrocentrism, Eurocentrism, Caribbean Studies. To the forces of cultural nationalism trapped in their respective camps, this bold book sounds like a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once; a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also enriches our understanding of modernism.
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