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Book Description Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. Shelfwear bumped edges Paperback. Seller Inventory # EW3-03068
Book Description Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # 3523435-6
Book Description Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.7. Seller Inventory # G0812212444I3N10
Book Description Paper Back. Condition: Good. Octavo with sun bleached spine and bumped/torn head of spine. [201 pages]. Seller Inventory # 285892
Book Description Soft cover. Condition: Very Good. 201 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. This copy has a red cover with a green design and white type face. Seller Inventory # 084427
Book Description Soft cover. Condition: Near Fine. No Jacket. Seller Inventory # 111848
Book Description Paperback. Condition: As New. Softcover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. 201 p. ; 22 cm. Seller Inventory # 2006110052
Book Description Paperback. Condition: Gut. 201 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Buchrücken leicht ausgeblichen, Fußschnitt leicht angeschmutzt, sonst ein sehr gutes Exemplar / spine slightly faded, bottom edge slightly soiled, otherwise a very good copy. - Since its original debut, The New Poetic has achieved the status of a classic in its field of scholarship. In this paperback edition, complete with a new preface, C. K. Stead suggests that a poem exists in a triangle, the points of which are the poet, the audience, and that area of experience we call reality. Between these points run lines of tension that "pull" depending on the time, place, poet, and audience. The finest poems in any language are likely to be those that exist in an equilateral triangle, each point pulling to create a moment of perfect tension. By the end of the nineteenth century the Romantic movement was deeply divided between two opposing impulses: popular, discursive poetry in the manner of Kipling and the pure, aesthetic mode of Wilde. Stead suggests that Yeats was the first in a new tradition attempting to re-establish a wholeness of poetic sensibility and a balanced relationship among the points of his metaphorical triangle. Presenting a valuable survey of the state of poetry in England from 1909 to 1916, Stead reassesses the achievements of the Georgians, whose directness of approach marked a crucial break with popular "imperial" poetry, and the work of Pound and the Imagists, which became the foundation for a significant revolution in poetry. Narrowing his focus to another poet, T. S. Eliot, Stead goes on to assert that, with Yeats, Eliot articulates a new poetic which fuses the moral and aesthetic qualities latent in the raw material of poetry into a form intensely expressive of the full human condition. The New Poetic will be valuable to students and scholars of modernism, Yeats, and Eliot, and readers of poetry. / CONTENTS Foreword to the Revised Edition 1 Introduction 2 W. B. YEATS, 1895-1916 An illustration of the problems 3 1909-1916: POETS AND THEIR PUBLIC Sonority. like a goose 4 1909-1916: POETRY versus LIFE Imperialists; Georgians; War poets 5 THE SOCIAL FUNCTION OF POETRY Pound and the Imagists; Eliot 6 ELIOT S DARK EMBRYO The merger of morals and aesthetics 7 THE POETRY OF T. S. ELIOT Affirmation and the Image 8 Conclusion Index Acknowledgements. ISBN 9780812212440 Sprache: Englisch Gewicht in Gramm: 270. Seller Inventory # 1202963