Seizing the Light: A History of Photography - Softcover

9780697143617: Seizing the Light: A History of Photography
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"Its chief virtues are a succinct, mostly lucid style, a wide intellectual scope, a flood of ideas and insights at every turn, sensitivity to the technology and culture of photography, and a willingness to attend to images . . . In the end, perhaps the best measure of a text is whether or not one would choose it from among all the offerings to use in class. I have chosen to use this book." - Photo Review, Spring 2000

"An excellent introductory history book." - Afterimage: The Journal of Media Arts and Cultural Criticism

In this wonderful and entertaining book, Hirsch has produced the most useful, readable, and practical successor to Newhall. Seizing the Light is written in a friendly, accessible way -- dense with information, but more hip and lively than other offerings, especially those aimed at college students." - exposure: The research journal of the Society for Photographic Education. Vol. 32.2 (Fall, 1999)

Hirsch's prose is very digestible. He writes in a clear, lively style with a minimum of jargon." - Views: the newsletter of the Visual Material Section of the Society of American Archivists

Science, culture, and art come together in this comprehensive history of photography. With superlative production values, rare and unusual prints, and a fresh perspective, Robert Hirsch has written the ideal companion to the first 200 years of photography.

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From the Publisher:
Seizing the Light is the first new photo history to be published in English since the early `80s.
New images: The author, an image-maker, educator, and curator, has done exhaustive archival research to include rare and seldom seen prints.
High production quality: The photographs in Seizing the Light are reproduced on heavy paper, at large sizes, and with careful attention to subtle variation in tints and shading.
Incorporates professionals into the artistic narrative: From Weegee, the original paparazzo, to three generations of war correspondents covering the American Civil War, two World Wars, and Vietnam, Seizing the Light shows how front-page cameramen and women have influenced the development of the art of photography.
Traces the relationship between the art and the science of photography: Beginning with pinhole cameras and progressing to digitalization, Seizing the Light relates artistic developments to the technical advances that made them possible.
Addresses the social influence of photography: The book shows how, from the Dust Bowl to the Vietnam War, photographs have had a profound affect on Western society and culture.
Excellent coverage of photography since 1945: Virtually unexamined by previous survey texts, post-war photography and the influence of digital technologies are thoroughly covered.
About the Author:
Robert Hirsch is an artist, author, curator, and educator.

Hirsch is the author of Seizing the Light: A History of Photography; Exploring Color Photography: From the Darkroom to the Digital Studio published by McGraw-Hill and Photographic Possibilities: The Expressive Use of Ideas, Materials, and Processes published by Focal Press.

He is a former associate editor for Photovision magazine and is a contributing writer for Afterimage, Digital Photography (UK), exposure, Ilford Photo Newsletter, and The Photo Review.

He was the Executive Director and Chief Curator of the Center for Exploratory and Perceptual Art (CEPA Gallery) in Buffalo, NY.

Hirsch is on the art faculty of SUNY Buffalo and teaches history of photography online through Eastern New Mexico University.

Recently his images have been shown at: University of New Mexico, Albuquerque, NM; Vermont Center for Photography, Brattleboro, VT; Artspace, New Haven, CT; Corcoran Gallery of Art, Washington, D.C.; George Eastman House, Rochester, NY; Williamsburg Art & Historical Center, Brooklyn, NY; Albright-Knox Art Gallery, Buffalo, NY; Contemporary Museum, Baltimore, MD; and Stefan Stux Gallery, NY, NY.

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