About the Author:
Robert Descharnes, a photographer and writer, has published studies of major artists, among them Antoni Gaudi and Auguste Rodin. Since 1950, he has been documenting and cataloguing Dali's paintings and writings, and is now considered the leading expert on the artist. Shortly before Dali's death, Descharnes was appointed by him to take charge of the rights to his works, within the Societe Demart Pro Arte B.V., of which Descharnes is president. Gilles Neret was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Oeil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. Neret is the editor of TASCHEN'S catalogues raisonnes of the works of Monet and Velazquez, as well as the author of Dali The Paintings and Erotica Universalis. He died on August 3, 2005.
From the Back Cover:
Salvador Dali is perhaps the most universally famous and popular twentieth-century artist. What accounts for this popularity? Is it his excellence as an artist? The accessibility of his imagery? Or his genius as a self-publicist? In a searching text, completely revised and updated in this edition to incorporate new information that has come to light since Dali's death in 1989, Dawn Ades considers some of the puzzling questions raised by the Dali phenomenon. His early years, the development of his technique and style, his relationship with the Surrealists, his exploitation of Freudian ideas, and the image which Dali created of himself as the mad genius artist are all explored in this brilliant and thought provoking study.
"About this title" may belong to another edition of this title.