Review:
PRAISE FOR "JASS"
"Fulmer is in fine form. The city and culture he portrays are as rich and dark as its coffee. With language that can get as rough as his characters, he paints a realistic picture of one of this country's most famous underworlds--and the beginnings of its greatest indigenous art."--"The Boston Globe"
"[A] vivid portrait of a great city at one of its most exciting moments. Fulmer is a graceful, evocative writer, and if you love New Orleans and its music, his novel summons up sweet memories."--"The Washington Post Book World"
PRAISE FOR "JASS"
"Fulmer is in fine form. The city and culture he portrays are as rich and dark as its coffee. With language that can get as rough as his characters, he paints a realistic picture of one of this country's most famous underworlds--and the beginnings of its greatest indigenous art."--"The Boston Globe"
"[A] vivid portrait of a great city at one of its most exciting moments. Fulmer is a graceful, evocative writer, and if you love New Orleans and its music, his novel summons up sweet memories."--"The Washington Post Book World"
PRAISE FOR"JASS"
"Fulmer is in fine form. The city and culture he portrays are as rich and dark as its coffee. With language that can get as rough as his characters, he paints a realistic picture of one of this country's most famous underworlds--and the beginnings of its greatest indigenous art."--"The Boston Globe"
"[A] vivid portrait of a great city at one of its most exciting moments. Fulmer is a graceful, evocative writer, and if you love New Orleans and its music, his novel summons up sweet memories."--"The Washington Post Book World"
From the Back Cover:
"Fulmer is a graceful, evocative writer, and if you love New Orleans and its music, his novel summons up sweet memories that have nothing to do with serial killers." --"Washington Post
"In a riveting encore to the award-winning mystery Chasing the Devil's Tail, David Fulmer brings us Jass. Here again is Creole detective Valentin St. Cyr, journeying further into the bloody netherworld of Storyville, New Orleans, that rowdy red-light district where saloons and dance halls echo with the raw and raucous music they call "jass." Four musicians have turned
up dead. Called upon to investigate the gruesome murders, St. Cyr discovers that all of the victims once played in the same band; the only one left alive has gone into hiding.
When a shadowy woman emerges as the key to the mystery, Valentin's efforts to find her touch nerves. Soon the police, the mayor, and even Tom Anderson--the notorious "King of Storyville"--want him off the case. But their efforts only convince him that something larger and darker lurks at the heart of this sordid business. Will he risk everything to get to the
truth?
"Think Jelly-Roll Morton meets Edgar Allan Poe. Think a 1900's New Orleans so drenched in atmosphere you can feel the thick air and smell the French moss hanging from the tall oak trees. Think jass bands, voodoo and bloody murder. Finally, think masterful story-telling."
-- Lawrence Cohn, Grammy winner, producer and author of "Nothin' but the Blues: The Music and the Musicians
"
Shamus Award winner David Fulmer has written about blues, jazz and a variety of other subjects for many publications. A writer and producer, he lives in Atlanta with his daughter, Italia.
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