"A remarkable book . . . [McCullers] writes with a sweep and certainty that are overwhelming."
"Quite remarkable . . . McCullers leaves her characters hauntingly engraved in the reader's memory."
"There is not only the delicately sensed need that one might expect youth to know but an even more delicately sensed ironic knowledge."
"The Heart Is a Lonely Hunter is a miracle of compassion, pity, and irony. Form and matter are perfectly blended in the novel." --Virginia Quarterly Review
"Sensitively conceived and expertly told . . . Its quality as writing and the intensity of its theme combine to make it one of the outstanding novels of recent years." --Times-Picayune
"[McCullers] writes with a calm and factual realism, and with a deep and abiding insight into human psychology. She does so without an iota of vulgarity and bawdiness, in a manner which many a present day novelist would do well to study."
"To me the most impressive aspect of 'The Heart Is a Lonely Hunter' is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice as those of her own race." -- Richard Wright
"One cannot help remarking that this is an extraordinary novel to have been written by a young woman of twenty-two; but the more important fact is that it is an extraordinary novel in its own right, considerations of authorship apart." -- Saturday Review of Literature
"A remarkable book . . . ÝMcCullers¨ writes with a sweep and certainty that are overwhelming."
"When one puts Ýthis book¨ down, it is with . . . a feeling of having been nourished by the truth." --May Sarton
"ÝMcCullers¨ writes with a calm and factual realism, and with a deep and abiding insight into human psychology. She does so without an iota of vulgarity and bawdiness, in a manner which many a present day novelist would do well to study."
" To me the most impressive aspect of THE HEART IS A LONELY HUNTER is
the astonishing humanity that enables a white writer, for the first
time in Southern fiction, to handle Negro characters with as much ease
and justice of those of her own race. This cannot be accounted for
stylistically or politically; it seems to stem from an attitude toward
life." -- Richard Wright
& quot; To me the most impressive aspect of THE HEART IS A LONELY HUNTER is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice of those of her own race. This cannot be accounted for stylistically or politically; it seems to stem from an attitude toward life.& quot; -- Richard Wright
To me the most impressive aspect of THE HEART IS A LONELY HUNTER is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice of those of her own race. This cannot be accounted for stylistically or politically; it seems to stem from an attitude toward life. -- Richard Wright
"When one puts [this book] down, it is with . . . a feeling of having been nourished by the truth." --May Sarton
"A remarkable book . . . [McCullers] writes with a sweep and certainty that are overwhelming." The New York Times
"Quite remarkable . . . McCullers leaves her characters hauntingly engraved in the reader's memory." The Nation
"To me the most impressive aspect of 'The Heart Is a Lonely Hunter' is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice as those of her own race." -- Richard Wright New Republic
"One cannot help remarking that this is an extraordinary novel to have been written by a young woman of twenty-two; but the more important fact is that it is an extraordinary novel in its own right, considerations of authorship apart." -- Saturday Review of Literature Saturday Review
"The Heart Is a Lonely Hunter has remarkable power, sweep and certainty . . . Her art suggests a Van Gogh painting peopled with Faulkner figures." The New York Times Book Review
"Sensitively conceived and expertly told . . . Its quality as writing and the intensity of its theme combine to make it one of the outstanding novels of recent years." --Times-Picayune
"Besides telling a good story, the author has peopled it with a small group of characters so powerfully drawn as to linger long in memory." Philadelphia Inquirer
"[McCullers] writes with a calm and factual realism, and with a deep and abiding insight into human psychology. She does so without an iota of vulgarity and bawdiness, in a manner which many a present day novelist would do well to study." Boston Globe
"There is not only the delicately sensed need that one might expect youth to know but an even more delicately sensed ironic knowledge." The Chicago Tribune
"The Heart Is a Lonely Hunter is a miracle of compassion, pity, and irony. Form and matter are perfectly blended in the novel." --Virginia Quarterly Review"
"To me the most impressive aspect of THE HEART IS A LONELY HUNTER is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice of those of her own race. This cannot be accounted for stylistically or politically; it seems to stem from an attitude toward life." -- Richard Wright
"When one puts [this book] down, it is with . . . a feeling of having been nourished by the truth." --May Sarton
"A remarkable book . . . [McCullers] writes with a sweep and certainty that are overwhelming." The New York Times
"Quite remarkable . . . McCullers leaves her characters hauntingly engraved in the reader's memory." The Nation
"To me the most impressive aspect of 'The Heart Is a Lonely Hunter' is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice as those of her own race." -- Richard Wright New Republic
"One cannot help remarking that this is an extraordinary novel to have been written by a young woman of twenty-two; but the more important fact is that it is an extraordinary novel in its own right, considerations of authorship apart." -- Saturday Review of Literature Saturday Review
"The Heart Is a Lonely Hunter has remarkable power, sweep and certainty . . . Her art suggests a Van Gogh painting peopled with Faulkner figures." The New York Times Book Review
"Sensitively conceived and expertly told . . . Its quality as writing and the intensity of its theme combine to make it one of the outstanding novels of recent years." --Times-Picayune
"Besides telling a good story, the author has peopled it with a small group of characters so powerfully drawn as to linger long in memory." Philadelphia Inquirer
"[McCullers] writes with a calm and factual realism, and with a deep and abiding insight into human psychology. She does so without an iota of vulgarity and bawdiness, in a manner which many a present day novelist would do well to study." Boston Globe
"There is not only the delicately sensed need that one might expect youth to know but an even more delicately sensed ironic knowledge." The Chicago Tribune
"The Heart Is a Lonely Hunter is a miracle of compassion, pity, and irony. Form and matter are perfectly blended in the novel." --Virginia Quarterly Review
"When one puts [this book] down, it is with . . . a feeling of having been nourished by the truth." --May Sarton
"To me the most impressive aspect of THE HEART IS A LONELY HUNTER is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice of those of her own race. This cannot be accounted for stylistically or politically; it seems to stem from an attitude toward life." -- Richard Wright
Carson McCullers was born in 1917. She is the critically acclaimed author of several popular novels in the 1940s and '50s, including The Member of the Wedding (1946). Her novels frequently depicted life in small towns of the southeastern United States and were marked by themes of loneliness and spiritual isolation. McCullers suffered from ill health most of her adult life, including a series of strokes that began when she was in her 20s; she died at the age of 50. The Member of the Wedding was dramatized for the stage in the 1950s and filmed in 1952 and 1997. Other films based on her books are Reflections in a Golden Eye (1967, with Elizabeth Taylor and Marlon Brando), The Heart is a Lonely Hunter (1968, starring Alan Arkin) and The Ballad of the Sad Café (1991).