"synopsis" may belong to another edition of this title.
But Art Objects is not merely a response to her critics. This collection of essays is a passionate, rousing defence of the elusive pursuit of perfection in language, the sifting of ideas and impressions to create highly charged words that throw you across a room. Her favourites dominate--Virginia Woolf, TS Eliot and Gertrude Stein--and every essay reflects her love affair with literature and language, with words that "work along the borders of our minds". There are also intimate essays on her introduction to art, how she learnt to look into the "deep and difficult" eyes of a painting, and her obsession--the collecting of first editions to read in a red room with deep chairs and a fireplace lit. Of course, Winterson places herself amongst the giants of literature that she worships. There is a slightly unpalatable arrogance about this--would the same be felt if she were a man--but also a humility. She acknowledges that in her "gallop with words" she sometimes goes too fast or takes a high fence badly. But she is trying to gallop. It's this clarity of purpose, along with an appetite for eating words, that distinguish her from others, from the "white-collared cataloguers of crap".--Jane Honey
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Book Description Condition: New. pp. 208. Seller Inventory # 5718889
Book Description Paperback. Condition: new. Paperback. These interlocking essays uncover art as an active force in the world - neither elitist or remote, present to those who want it, affecting even those who don't. Winterson's own passionate vision of art is presented here - provocatively and personally in pieces on Modernism, autobiography, style, painting, the future of fiction, in two essays on Virginia Woolf, and more intimately in pieces where she describes her relationship to her work and the books that she loves. Winterson's own passionate vision of art is presented here, provocatively and personally, in pieces on Modernism, autobiography, style, painting, the future of fiction, in two essays on Virginia Woolf, and more intimately in pieces where she describes her relationship to her work and the books that she loves. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780099590019
Book Description paperback. Condition: New. Language: ENG. Seller Inventory # 9780099590019
Book Description Soft Cover. Condition: new. Seller Inventory # 9780099590019
Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Winterson's own passionate vision of art is presented here, provocatively and personally, in pieces on Modernism, autobiography, style, painting, the future of fiction, in two essays on Virginia Woolf, and more intimately in pieces where she describes her relationship to her work and the books that she loves. Seller Inventory # B9780099590019
Book Description Condition: New. In eng. Seller Inventory # ria9780099590019_new
Book Description Paperback. Condition: Brand New. new ed edition. 208 pages. 7.80x5.08x0.51 inches. In Stock. Seller Inventory # __0099590018
Book Description Condition: New. 1996. New Ed. Paperback. Includes interlocking essays that uncover art as an active force in the world - neither elitist or remote, present to those who want it, affecting even those who don't. Num Pages: 208 pages. BIC Classification: 2AB; ABA; DNF. Category: (G) General (US: Trade). Dimension: 198 x 130 x 14. Weight in Grams: 156. . . . . . Seller Inventory # V9780099590019
Book Description Condition: New. 1996. New Ed. Paperback. Includes interlocking essays that uncover art as an active force in the world - neither elitist or remote, present to those who want it, affecting even those who don't. Num Pages: 208 pages. BIC Classification: 2AB; ABA; DNF. Category: (G) General (US: Trade). Dimension: 198 x 130 x 14. Weight in Grams: 156. . . . . . Books ship from the US and Ireland. Seller Inventory # V9780099590019
Book Description Condition: New. Seller Inventory # 1377614-n