Editorial Reviews for this title:
The story of "The Boy in the Striped Pyjamas" is very difficult to describe. Usually we give some clues about the book on the cover, but in this case we think that would spoil the reading of the book. We think it is important that you start to read without knowing what it is about. If you do start to read this book, you will go on a journey with a nine-year-old boy called Bruno. (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence. We hope you never have to cross such a fence.
John Boyne's The Boy in Striped Pyjamas
will no doubt acquire many readers as a result of the subsequent film of the novel, but viewers of the latter would do themselves a favour by going back to the spare and powerfully affecting original book. Bruno is nine years old, and the Nazis’ horrific Final Solution to the ‘Jewish Problem’ means nothing to him. He's completely unaware of the barbarity of Germany under Hitler, and is more concerned by his move from his well-appointed house in Berlin to a far less salubrious area where he finds himself with nothing to do. Then he meets a boy called Shmuel who lives a very different life from him -- a life on the opposite side of a wire fence. And Shmuel is the eponymous boy in the striped pyjamas, as are all the other people on the other side of the fence. The friendship between the two boys begins to grow, but for Bruno it is a journey from blissful ignorance to a painful knowledge. And he will find that this learning process carries, for him, a daunting price.
A legion of books have attempted to evoke the horrors of the Second World War, but in this concise and perfectly honed novel, all of the effects that John Boyne creates are allowed to make a maximum impact in a relatively understated fashion (given the enormity of the situation here). The Boy in Striped Pyjamas is also that rare thing: a novel which can affect both children and adults equally; a worthy successor, in fact, to such masterpieces as To Kill a Mockingbird and The Catcher in the Rye -- both, of course, books, dealing (as does this one) with the loss of innocence. --Barry Forshaw
"An account of a dreadful episode, short on actual horror but packed with overtones that remain in the imagination. Plainly and sometimes archly written, it stays just ahead of its readers before delivering its killer punch in the final pages" (Nick Tucker Independent)
"A small wonder of a book. Bruno's education is conducted slowly, through a series of fleeting social encounters rather than by plunging him into a nightmare landscape" ( Guardian)
"An extraordinary tale of friendship and the horrors of war seen thorugh the eyes of two young boys, it's stirring stuff. Raw literary talent at its best. More please!" ( Irish Independent)
"Quite impossible to put down, this is the rare kind of book that doesn't leave your head for days. Word of mouth should be strong and this has the potential to cross over to an adult audience. A unique and captivating novel, which I believe deserves huge success" (Becky Stadwick The Bookseller)
"Brilliantly written, superbly conceived novel, ending with words as bleakly ambiguous as any I have ever read. Boyne's ability to lead us on with crystal clear prose so that we unthinkingly fall into the elephant trap reminds me irresistably of another Irishman - Jonathan Swift" (Dennis Hamley The School Librarian)
Editorial reviews may belong to another edition of this title.