Miles Davis was one of the crucial influences in the development of modern jazz. His Kind of Blue is an automatic inclusion in any critic's list of the great jazz albums, the one record people who own no other jazz records possess, and still sells 250,000 copies a year in the US alone. But Miles regularly changed styles, leaving his inimitable impact on many forms of jazz, whether he created them or simply developed the work of others, from modal jazz to be-bop, his seminal quintet and his big-band work, to the jazz funk experiments of later years.
Miles not only knew and worked with everyone who was anyone in jazz, from Coltrane to Monk, he was a friend of Sartre's, lover of Juliette Greco and musical collaborator with musicians who ranged from Stockhausen to Hendrix. John Swzed is uniquely well-qualified to do justice to Miles, both in terms of his impact on jazz, and as one of the great Black Americans: as political figure, icon and archetypal cool dude. His book fills in the gaps left by myth-making about Miles' life - both by Miles himself and by his previous biographers - telling the story of his childhood, his depressions and his relationship with heroin as well as the more familiar public career.
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So What: The Life of Miles Davis chronicles the life of the most significant and influential figure in the history of jazz. Armstrong and Parker may have been more important improvisers, and Ellington was undoubtedly the most significant composer, but Miles Davis changed the face of the genre--as a soloist, as a leader, as an innovator, as an icon of style and attitude. And his album Kind of Blue is the bestselling jazz disc of all time, the one jazz masterpiece that many people own who otherwise dislike the genre.
But Miles' genius went alongside some extremely controversial aspects of his personality--his difficult, temperamental behaviour (often exacerbated by cocaine abuse) made him frequently impossible to deal with, and his famous rudeness and disdain towards audiences was based as much on his dislike of his white admirers as on his refusal to pander to any facile concept of being an "entertainer"--Miles was deadly serious about his work, and the astonishing range of his achievement from his days as a sideman for Charlie Parker to his later flirtations with rock (however contentious the latter) kept him at the forefront of his profession.
John Szwed's remarkable So What: The Life of Miles Davis is quite the best book on the trumpeter to appear yet, including the musician's own self-serving autobiography. While admiring Miles inordinately as a musician, (Szwed's analyses of such classic albums as Sketches of Spain is nonpareil), he is unsparing of such aspects of Davis' personality as his racism (while Miles may have been fully justified in responding to the racist behaviour he encountered at the hands of the police, Szwed does not excuse him for his cynical use of such great white musicians as the pianist Bill Evans or the arranger Gil Evans while simultaneously disdaining them: "we don't need your white opinions", he famously said to Bill Evans, even though he greatly valued his musical ideas.
As a picture of a complex and remarkable musician, So What is absolutely definitive--and like all the best biographies, the author's admiration for his subject doesn't blind him to the many unpalatable aspects of the man's personality. --Barry ForshawReview:
" Szwed mixes terrific musical analysis with a deep insight into Davis's life, character and collaboration" ( Evening Standard)
"Szwed is an accomplished sifter of wheat from the chaff. He is not only a musicologist, he is an anthripologist" ( The Times)
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Book Description Arrow Books Ltd, 2003. Paperback. Book Condition: New. Bookseller Inventory # DADAX009928183X
Book Description Arrow Books Ltd, 2003. Paperback. Book Condition: New. Bookseller Inventory # P11009928183X