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What frequently unites Hickman's wildly different subjects is their loneliness--drawing on letters, diaries and memoirs, she portrays women who had to discipline themselves to adapt (often ingeniously) to unfamiliar cultures, far away from friends and family--many, in particular, were separated from their children, who would be sequestered at boarding school back in Britain--while maintaining an unimpeachable public image. "I shall be obliged to travel three or four days between Buda and Essek without finding any house at all, through desert plains covered with snow, where the cold is so violent many have been killed by it", wrote Lady Mary Wortley Montagu of her treacherous journey to Constantinople in 1716. Almost 300 years later, in 1996, Stephanie Hopkinson wryly itemised the "bizarre qualifications" necessary for daily diplomatic life in a Sarajevo under siege: "Ability to ... apply make-up in the dark; aptitude for bathing in a cold teacup and keeping one's hair/self/clothes clean and uncrumpled as long as possible ... vivid imagination which converts tinned frankfurters, bread and rice into smoked salmon/steak and chips...". Resourcefulness is a common link between the Daughters of Britannia; Katie Hickman has written a fascinating book. --Catherine Taylor
Her last book, A Trip to the Light Fantastic, received extraordinarily good reviews:
‘The most ambitiously imaginative sort of travel writing’
- Patrick Skene Catling
‘Magic is at the heart of Hickman’s narrative. Her characters would not seem out of place in the oeuvre of Gabriel Garcia Marquez or Isabel Allende’
- Sunday Times
‘Mexico will not have been portrayed more vividly since Graham Greene’s The Lawless Roads... Enchanting’
- Geoffrey Moorhouse, Daily Telegraph
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